A girl competes in a hobby horsing competition in St. Petersburg, Russia, April 21, 2024. (Photo by Dmitri Lovetsky/AP Photo)

Revelers run through the festival grounds to see the next show at the Governors Ball music festival at Corona Park in the Queens borough of New York City, U.S., June 9, 2024. (Photo by Cheney Orr/Reuters)

The setting sun illuminates the sky behind wind turbines of a wind park near Neusiedl am See, December 22, 2014. (Photo by Heinz-Peter Bader/Reuters)

A Ballet Paraisópolis student wearing a face mask rehearses amidst the coronavirus (COVID-19) pandemic on August 13, 2020 in Sao Paulo, Brazil. The Ballet Paraisópolis is a project that teaches dance to children and young people in the Paraisópolis community in order to encourage them to seek better life opportunities. Founded in 2012 by ballerina, teacher and choreographer, Monica Tarragó, Ballet Paraisópolis has a total of 200 students and another 2,000 on the waiting list. (Photo by Alexandre Schneider/Getty Images)

A mahout walks next to his elephant through a busy street in Horana, a suburb of Sri Lanka's capital Colombo on March 23, 2021. (Photo by Lakruwan Wanniarachchi/AFP Photo)

An aerial view shows local residents visiting a river side park in Taipei during the Lunar Mew Year on February 19, 2021. (Photo by Sam Yeh/AFP Photo)

Christopher Wheeldon’s Alice’s Adventures in Wonderland is the biggest production the Australian Ballet has ever undertaken and it’s also one of the most spectacular. Created for the Royal Ballet and designed by Bob Crowley, it involves puppetry, optical illusions, major setpieces and immersive projections, as well as costumes that some dancers have to actually climb into. Here: Ako Kondo as Alice, on stage September 11, 2017 in Melbourne, Australia. (Photo by Jeff Busby/The Guardian)

An otter reaches for a snack from a customer at an otter cafe in Tokyo. Asian small-clawed otters are increasingly popular as novelty pets, particularly in Japan. Now international trade in the species may be banned. (Photo by Noriko Hayashi/The New York Times)