Photographer Emily Dryden and sculptor/actor Zahydé Pietri combine theatricality and organic produce to compose the photographs for their series Fresh Faces. The portraits are made from a wide range of fruit and vegetables and aim to highlight humanity’s diversity – Pietri is from Puerto Rico and Dryden is from New York. Each face has its own name and identity: “We have stories for them, which you can see in the expressions”, says Dryden, “but we decided to keep them to ourselves. We didn’t want to spoil that”. (Photo by Emily Dryden and Zahydé Pietri/The Guardian)

Winner. “This was taken in the South Ari Atolls, Maldives, as the south-west monsoon season was setting in. It features my partner – and dive buddy – Emma after surfacing at the end of the last dive of the day to find 1.5 metre swells and dark monsoon clouds. MICK RYAN, JUDGE: This beautiful portrait of a diver in an ocean swell below a menacing sky stands out this month for its emotional and elemental beauty. It is a reminder that while we may play among nature we are always dwarfed by its power and must be constantly on our guard”. (Photo by Simon Dunn/The Guardian)

A visitor takes pictures with a smartphone of an artwork entitled “Blue Europe, 2015” by Chinese artist Liu Bolin, on display during the exhibition “Visible Invisible” at the Mudec Museum in Milan on May 14, 2019. Liu Bolin known as “the invisible man” for his photographic self-portraits, focused on a body-painting blending with the surrounding area. (Photo by Miguel Medina/AFP Photo)

Heesco, Windsor. Born and raised in Mongolia and now living and working in Melbourne, Heesco is well known for his skill in rendering photo-realistic portraits. They speak to the viewer in a way that the subtext is enjoyable to decipher. Just what is the Blue Lady’s message? The sunglasses might mask the confronting gaze but her body language fills in the gaps. Heesco’s characters often wear traditional jewellery and clothing that remind us of his Mongolian cultural heritage. (Photo by Lou Chamberlin/The Guardian)

In this February 20, 2018 photo, fair vendor Noelia Flores holds up a black backdrop behind a small statue of an “Ekeko”, the god of prosperity, for a portrait at her booth during the annual Alasita Fair in La Paz, Bolivia. Every year, thousands of Bolivians head to the feast of Alasitas that is held in his honor to buy miniature cars, houses and toy dollar bills symbolizing their dreams of prosperity. (Photo by Juan Karita/AP Photo)

A police officer wearing a protective mask walks past the portrait of late communist leader Mao Zedong (not pictured) at Tiananmen Gate in Beijing on January 23, 2020. Large-scale Lunar New Year events in Beijing have been cancelled as part of national efforts to control the spread of a new SARS-like virus, city authorities announced on January 23. (Photo by Nicolas Asfouri/AFP Photo)

A group of dust covered child labourers gather for a portrait in the brick kiln in Kathmandu Valley, Nepal, 22 February 2015. Bleak photos identify the children working their fingers to the bone in Nepalís brick kilns. Photographer Jan Mˆller Hansen documented the conditions of the brick kilns in Kathmandu Valley, Nepal between 2013 and 2016 while he lived and worked in the area. Jan estimates between 150,000 and 175,000 people are employed in the 200 brick kilns littering the Kathmandu Valley. (Photo by Jan Moeller Hansen/Barcroft Images)

A visitor looks at portraits of Mao Zedong amid his statues on display at a wholesale souvenir store in Shaoshan, Hunan Province in central China, 28 April 2016. Shaoshan is the hometown of former Communist leader Mao Zedong, popularly known as Chairman Mao. Thousands of visitors descend on this small Chinese town burrowed in the hills of Central China's Hunan province to pay homage to the “Great Helmsman” everyday. It is one of the core sites of the “Red Tourism” industry, where communist party cadres and ordinary Chinese tourists alike seek to relive the experiences and rekindle the spirit of the revolutionaries. (Photo by How Hwee Young/EPA)