“Eye of the Tower” by Mehmet Yasa; Verona, Italy. “The staircase and the bell looks like an eye. Architecture can fascinate us in many ways”. (Photo by Mehmet Yasa/Art of Building Photography Awards 2017)

Record snowfall in the Sahara Desert near the town of Ain Sefra in Algeria on January 21, 2017. (Photo by Geoff Robinson/Rex Features/Shutterstock)

A scorpion crawls out of the mouth of Thailand's Scorpion Queen and Ripley's Ambassador Kanchana Kaetkaew (also spelled Kanjana Ketkaew), at the Ripley's Believe it or Not museum in Pattaya city, Chonburi province, Thailand, 03 June 2017. (Photo by Diego Azubel/EPA)

Scared of Heights. “Taken from the highest residential building in Asia: the Zenith in Busan. This was taken with official permission (which took me months to get) and safety measures were taken. I had to hang myself over the edge to get this shot. Not for the faint of heart! But when you’re at a height like this, the world below you just seems different. It takes away the fear one would normally have, and gives a sense of peace instead”. (Photo by Albert Dros/NatGeo Cities Travel Photographer of the Year 2017)

The International Garden Photographer of the Year has announced the winner of their Black & White Photo Project 2019. Here: Blue Tit, Criccieth, Wales. (Photo by Alan Price/The International Garden Photographer of the Year)

From footballs to live fish, delivery mopeds piled high with unwieldy, unlikely goods are one of the Vietnamese capital’s most distinctive sights. As the city plans to ban motorbikes altogether, photographer Jon Enoch captured the drivers at work. (Photo by Jon Enoch/The Guardian)

The CBRE Urban Photographer of the Year competition – now in its ninth year – encourages professional and amateur photographers to capture cities at work. Here: Dog Walker – 15:00. The competition allows photographers to enter up to 24 images, one representing each hour of the day. (Photo by Johanna Siegmann)

Inflatable dolls in the shape of ducks are seen in front of the National Congress during a protest against tax increases in Brasilia, Brazil, March 29, 2016. The campaign “I will not pay the Duck” is organized by the Federation of Industries of Sao Paulo (FIESP) and uses the duck symbol in reference to industries that pay high taxes. (Photo by Gregg Newton/Reuters)