French artist Christophe Guinet, also known as “Mr Plant”, works on his plant shoe creation “Wood”, part of the artistic project “Just Grow It”, in his art gallery in Marseille, November 25, 2014. Guinet transforms name-brand Nike sneakers, cult footwear for urban youth, into vegetable compositions, creating a collection of artwork with trainers modified with tree bark, foam and flowers. (Photo by Jean-Paul Pelissier/Reuters)

A waitress of The Palais de Tokyo restaurant wears a protective face mask as a precaution against the coronavirus in Paris, Saturday, September 5, 2020. New French cases of COVID-19 jumped in 24 hours to nearly 9,000, health officials said Friday. The 8,975 new cases were the highest number of infections since France successfully grappled with the spread of the coronavirus during a strict two-month lockdown. There were some 1,800 cases less a day earlier and more than for European neighbors. (Photo by Francois Mori/AP Photo)

Photo: Vladimir Ilyich Lenin (1870 – 1924) lying in state in the Kremlin. (Photo by Hulton Archive/Getty Images). 1924

Important! For the same article in Russian language click here.

Something quite intriguing is happening within Russian-speaking internet during the last few – should you type a fully academic inquiry (at least, according to Russian academic requirements) in national search engines for "Lenin's mausoleum" – the first thing you get (even in top 10 searches) is website pages talking about black magic and occult. Website authors view this construction differently, but unconditionally agree on one thing: the mausoleum of the "leader of the world proletariat” – the essence of a magical artifact, a sort of “energy vampire”. It was built with a certain purpose: to drain the energy out of miserable Soviet citizens on one hand; and to poison the anthroposphere of one-sixth part of the earth with its vibes (the exact territory that was occupied by the former Soviet Union), depriving the Russian people of will to resist on the other hand. Complete nonsense? No doubt. Nevertheless, an intriguing one. Well, probably because some oddities do exist in mausoleum's history. These oddities are the thing we are going to discuss this time. First, let me refresh you memory on the subject.

French Levalet is back in the streets of Paris with this new piece entitled ‘Le marchand de sable’/’The Sandman’, a rather literal interpretation of the mythical character in central and northern European folklore who brings good dreams by sprinkling magical sand onto the eyes of children while they sleep at night. Funny and smart as usual.

French artist, Emeric Chantier, created these magnificent skull-infused plant sculpture. I say infused because I can’t think of another way to describe this unusual piece of art. Emeric is part of the Macadam Gallery and also created other pieces of art in a similar style which contains guns, hearts, hands and cars.

French photographer Laurent Chehere's “Flying Houses” exhibit takes workaday houses and lets them lift the imagination. The exhibit is showing at the Muriel Guépin Gallery in New York. Photo: Laurent Chehere's “Flying Houses”: “The Great Illusion”. (Photo by Laurent Chehere)

The 37-year-old French artist Anne-Catherine Becker Echivard’s latest artworks were inspired by the silent movies of Charlie Chaplin and Buster Keaton; she uses real-life smelly fish heads as her models for some photos that depict everyday life to address topics.

Pascal Campion is a French-American illustrator and animator. He studied narrative illustration at Arts Decoratifs de Strasbourg, in France. He revels in the company of his wife and daughter and finds it very hard to write about himself. He works in a studio with high ceilings in
San Francisco. Pascal has worked in a wide variety of media, from games, music videos, feature films to books.