In an extraordinary act of devotion to his art, sculptural artist Spencer Byles spent a year creating beautiful sculptures out of natural and found materials throughout the unmanaged forests of La Colle Sur Loup (where he lived with his family), Villeneuve Loubet and Mougins. He worked together with elements of his natural surroundings to create artwork that blends seamlessly with the environment.

A boy shouts after catching a trout during a trout catching contest in Hwacheon, South Korea, Saturday, January 6, 2018. The contest is part of an annual ice festival which draws over 1,000,000 visitors every year. (Photo by Ahn Young-joon/AP Photo)

Gizzard, a chihuahua is held by his owner at the 31st Annual Tompkins Square Halloween Dog Parade in New York, U.S., October 23, 2021. Last year the parade was cancelled due to the coronavirus pandemic. (Photo by Caitlin Ochs/Reuters)

Revellers in Newcastle, England on the last Friday before Christmas, December 20, 2019. Black Eye Friday festive mayhem hit the nation; Christmas celebrations kicked off with a bang across the country as revellers flocked to pubs and clubs for the biggest night of the year. (Photo by Scott Heppell/PA Images via Getty Images)

Shortlisted images in the running to be crowned Photobox Instagram photograph of the year range from furry friends to the Holi festival to the meaning of love. Judges, including the Guardian’s former picture editor Eamonn McCabe, have whittled down 180,000 submissions to unearth a shortlist that celebrates the best of social media. Winners will be announced October 3, 2018. Here: Najac, France. Travel shortlist. (Photo by Aaron Jenkin/@aaronjenkin)

A White Crested Poland is seen at the National Poultry Show on November 20, 2016 in Telford, England. The annual event continues to grow with around 7000 entries this year from all around the world. (Photo by Leon Neal/Getty Images)

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.