Dancers of the English National Ballet perform MacMillan's The Rite of Spring from Beyond Ballet Russes with costumes by Kinder Aggugini at the Coliseum on March 22, 2012 in London, England. (Photo by Ian Gavan/Getty Images)

National maritime charity, the Shipwrecked Mariners’ Society, has revealed results of its seventh annual photography competition, showcasing images relating to all aspects of the UK’s historic relationship with the sea. Here: “Sunrise Through The Wave”, by John Alderson, which has won the People category. (Photo by John Alderson/PA Wire Press Association)

Heugh Breakwater by Caroline Walker. Winner in the Coastal Views category. (Photo by Caroline Walker/Sea View Photography Competition 2020)

Models prepare backstage ahead of the Strateas.Carlucci show at Mercedes-Benz Fashion Week Australia 2015 at Carriageworks on April 13, 2015 in Sydney, Australia. (Photo by Ryan Pierse/Getty Images)

A model showcases “The Bride” by Stephane Rolland on the catwalk as part of Women's Fashion Week Haute Couture program at Marina Bay Sands on October 30, 2011 in Singapore. (Photo by Chris McGrath/Getty Images)

“This city in Bolivia's highlands has hired Aymara women dressed in traditional multilayered Andean skirts and brightly embroidered vests to work as traffic cops and bring order to its road chaos. About 20 of the “traffic cholitas” have been trained to direct cars and buses in El Alto, a teeming, impoverished sister city of La Paz in Bolivia's Andes mountains”. – El Alto via Associated Press. Photo: In this December 3, 2013 photo, an Aymara woman cops directs traffic on the streets of El Alto, Bolivia. The women wear the bright petticoats and shawls of indigenous women in the Andes, called cholitas in Bolivian slang, the main difference being that instead of bowler hats they wear khaki green police-style caps. Some don fluorescent traffic vests. (Photo by Juan Karita/AP Photo)

For France, the trauma of the Algerian War (1954-1962) was not unlike the experience of the Vietnam War for the United States. But, unlike the conflict in Vietnam, few photographic documents exist from that period in Algeria: it is as if the French responded with collective amnesia. Marc Garanger’s Algerian Women is one of the few photographic essays dedicated to that painful period... Photo: A 1960 photograph of an Algerian woman in a French regroupment village. (Photo by Marc Garanger)