A pro-Russian rebel shows his t-shirt depicting Russian President Vladimir Putin at a checkpoint in the village of Chornukhyne near the town of Debaltseve, north-east from Donetsk, March 12, 2015. (Photo by Marko Djurica/Reuters)

A billboard depicting a soldier, with a slogan reading “Contract service. A real man's job”, in St. Petersburg, Russia, 02 June 2023. On 24 February 2022, Russian troops entered Ukrainian territory in what the Russian president declared a “Special Military Operation”, starting an armed conflict. (Photo by Anatoly Maltsev/EPA)

Police detain a demonstrator during an action against Russia's attack on Ukraine in St. Petersburg, Russia, Wednesday, March 2, 2022. Protests against the Russian invasion of Ukraine resumed on Wednesday, with people taking to the streets of Moscow and St. Petersburg and other Russian towns despite mass arrests. (Photo by Dmitri Lovetsky/AP Photo)

The Soyuz MS-17 spacecraft carrying the crew formed of Kathleen Rubins of NASA, Sergey Ryzhikov and Sergey Kud-Sverchkov of the Russian space agency Roscosmos blasts off to the International Space Station (ISS) from the launchpad at the Baikonur Cosmodrome, Kazakhstan on October 14, 2020. (Photo by Russian space agency Roscosmos/Handout via Reuters)

Fyn Baily aged eight at the Bloodstock festival on August 13, 2011 in Walton-on-Trent, United Kingdom. Bloodstock is the UK's largest heavy metal festival and features both established and unsigned bands over four days. (Photo by Bethany Clarke/Getty Images)

A reveler poses for pictures at the Victorian Picnic during the Wave and Goth festival in Leipzig June 6, 2014. The annual festival, known in Germany as Wave-Gotik Treffen (WGT), features over 150 bands and artist in venues all over the city playing Gothic rock and other styles of the dark wave music subculture. The event, one of the biggest of its kind, attracts a regular audience of up to 20,000, the organizers said. REUTERS/Thomas Peter

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.