“The advent of digital cameras and smartphones killed the traditional mall portrait studio, but 3-D printing has sparked a new trend. Overloaded with digital photos, statues may be moving in to fulfill our desire for portraits that stand out”. – Peter Svensson via The Associated Press. (Photo by Julie Jacobson/AP Photo)

“John Constables's «The Hay Wein» meets «Bender» from «Futurama»”. (Photo and caption by Dave Pollot/Caters News)

Associated Press photographer Wong Maye-E tries to get her North Korean subjects to open up as much as is possible in an authoritarian country with no tolerance for dissent and great distrust of foreigners. She has taken dozens of portraits of North Koreans over the past three years, often after breaking the ice by taking photos with an instant camera and sharing them. Her question for everyone she photographs: What is your motto? Their answers reflect both their varied lives and the government that looms incessantly over all of them. (Photo by Wong Maye-E/AP Photo)

Three Palestinian women sit on a beachfront as a wave comes rushing by in Gaza City on November 17, 2016. (Photo by Mohammed Abed/AFP Photo)

“Festive preparation”. Baghnapara, Bardhaman, West Bengal, India. Two girls prepare for the Gajan festival. They will perform a play based on Indian mythology. (Photo by Krishnasis Ghosh)

Tucked away in these spooky woodlands, one man has amassed a huge collection of decaying trolley cars. Once a novel mode of public transport in the likes early 20th Century New York, the hauntingly beautiful trolleys are now at one with nature – a scene that abandoned location photographer Matthew Christopher was able to discover in a location not disclosed to the public. Here: Abandoned trolley graveyard in Pennsylvania. (Photo by Matthew Christopher/Abandoned America/Caters News Agency)

A dancer sanitizes the pole before performing on the outside patio at Cheerleaders Gentlemen's Club in Gloucester City, New Jersey, U.S. July 17, 2020. (Photo by Rachel Wisniewski/Reuters)

For her series “Dolce Vita in Hell”, Swiss photojournalist Stéphanie Buret headed to Eritrea and found a country struggling to haul itself out of oppression – but with its art deco buildings still looking stunning. (Photo by Stéphanie Buret/The Guardian)