The photography duo of Floto+Warner created the series, “Colorant”, from an idea that stemmed out of a previous series and the fascination of landscapes, with results that leave one in awe. Creating shapes, not experienced in nature, they tossed colored water in the air to capture “a momentary graffiti of air and space”. Using a high shutter speed to capture these fleeting moments, Floto/Warner has produced a multi-medium series with jaw-dropping results. Photo: “Orange Salt Flats”. (Photo by Floto/Warner)

Kale grows at Kajodlingen farm in Gothenburg, Sweden, September 28, 2016. They are doing it on the rooftops, on tower block balconies and even on a disused railway: Swedes have discovered a passion for urban gardening as a way of growing fresh food and getting back in touch with nature. Part of a global movement, an increasing number of Swedish city-dwellers are growing their own in window boxes and allotments or are visiting public gardens built in or on industrial or office spaces. (Photo by Maxim Shemetov/Reuters)

A woman looks at photographs of dogs to choose a pet to rent at Puppy The World on January 24, 2009 in Tokyo, Japan. Rent-a-dog is becoming increasingly popular amongst people who love dogs but are unable to look after a pet full time due to limited living space or long working hours. Customers pay the dog-rental outlet around 2500 yen (32.5 USD) for an hour, and usually take their rented pet for a walk along the nearby beach. (Photo by Junko Kimura/Getty Images)

A logometer used to determine the Titanic's speed is seen among artifacts recovered from the RMS Titanic wreck site at a press preview of a Titanic artifact auction at the Intrepid Sea, Air & Space Museum on January 5, 2012 in New York City. On April 11, 2012, the 100th anniversary of the maiden voyage of the Titanic, Guernsey's will auction the complete collection of more than 5,000 artifacts recovered from the Titanic wreck site. (Photo by Mario Tama/Getty Images)

German artist Robert Rickhoff re-interprets the idea of public space with humor through a series of digitally manipulated photographs in a project entitled “out of place”. Rickhoff augments scenes within a seemingly commonplace environment to depict impractical yet lighthearted situations – including a playground slippery dip facing towards a busy road to a speed bump placed in an unassuming residential street that is actually a daredevil ramp. the visualizations are subtle yet provocative, forcing the audience to look twice to notice the unusual setting infused with tongue-in-cheek wit.

Trevor Olson, from Minnesota, dressed as the character “Joker”, poses for a photograph at New York's Comic Con convention, October 9, 2014, in New York City. The event draws thousands of costumed fans, panels of pop culture luminaries and features a sprawling floor of vendors in a space equivalent to more than three football fields in Javits Center. (Photo by Shannon Stapleton/Reuters)

On Earth Day this year, NASA asked people all around the world a question: “Where are you on Earth Right Now?” To answer this question people were asked to post their selfie on social media. The goal was to use each picture as a pixel in the creation of a “Global Selfie” – a mosaic image that would look like Earth appeared from the space. The 3.2 gigapixel “Global Selfie”, was made the with 36,422 individual images.