“Dropping” is the work of Italian graphic artist Alberto Seveso. Seveso captured these amazing images or “fluid sculpture” with the use of high-speed photography while mixing ink with oil, as a tribute to the dripping technique of Jackson Pollock. Seveso works from his home town of Portoscuso, Italy creating cutting edge imagery for ad campaigns for companies such as Adobe, Sony, ESPN, Nikon and more. Sevese says of his work: “I don't consider myself as an artist, I'm just someone playing with software and creativity”... (Photo by Alberto Seveso)

The photography duo of Floto+Warner created the series, “Colorant”, from an idea that stemmed out of a previous series and the fascination of landscapes, with results that leave one in awe. Creating shapes, not experienced in nature, they tossed colored water in the air to capture “a momentary graffiti of air and space”. Using a high shutter speed to capture these fleeting moments, Floto/Warner has produced a multi-medium series with jaw-dropping results. Photo: “Orange Salt Flats”. (Photo by Floto/Warner)

“These stunning ultra-high speed photos of water droplets were captured by photographer, Ronny Tertnes, 48, from Bergen, Norway. They show the water’s displacement as various liquids are being dropped in. Ronny, who works full time as an IT administrator, set up his camera and flash rigs to capture the exact moment a droplet hit the surface, sometimes causing several drops to collide into each other”. – TwoByTwoEditorial.co.uk. (Photo by Ronny Tertnes/TwoByTwoEditorial.co.uk)

“I'm Josh Fancher, a 21 year old with an avid interest in photography, including macro, nature and wildlife, night photography, landscapes, cityscapes and architectural photography. Inspired by the beautiful and amazing water drop photography of Martin Waugh, I started doing water drop collisions in December of 2007. I use a 105mm Micro Nikkor lens for water drops, along with a pair of Nikon SB 600 flashes. I recently got a StopShot system (Nov 2009), which makes timing a lot easier. Before then, timing was manual, with an eye dropper, eye-hand coordination, and a lot of patience” – Josh Fancher. (Photo by Josh Fancher)