Filipino typhoon survivor children, who escaped after their village was attacked by allegedly armed men, wait for social workers in the super typhoon devastated city of Tacloban, Leyte province, Philippines, 13 November 2013. Aid workers and relief supplies were being poured into eastern provinces hit by Typhoon Haiyan, which aid agencies and officials estimated has left thousands dead and staggering destruction in its wake. The official death toll in the Philippines from one of the world’s strongest typhoons rose to 1,833, the national disaster relief agency said with many towns still unaccounted for. (Photo by Dennis M. Sabangan/EPA)

“The Glasswinged butterfly (Greta oto) is a brush-footed butterfly, and is a member of the subfamily Danainae, tribe Ithomiini, subtribe Godyridina”. – Wikipedia.

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Magdalena Neuner poses in front of mammoth figures during a photocall of the German Biathlon Woman Team at the Archeopark on March 10, 2011 in Khanty-Mansiysk, Russia. On the territory of Archeopark are mammoth sculptural compositions, made of bronze. Mammoths lived in Ugra 70-10 thousand years ago and were members of the Pleistocene, or also called 'the mammoth fauna’. The growth figures exceed the natural factor 2-3 times.

Afghan women pray at the Karti Sakhi shrine on May 13, 2011 in Kabul, Afghanistan. Within many mosques women have separate areas from the men for prayer, however, in many parts of Taliban controlled Afghanistan, women are only allowed to pray at home. (Photo by Paula Bronstein /Getty Images)