“Eid ul-Fitr, Eid al-Fitr, Id-ul-Fitr, or Id al-Fitr, often abbreviated to Eid, is a Muslim holiday that marks the end of Ramadan, the Islamic holy month of fasting (sawm). Eid is an Arabic word meaning “festivity”, while Fiṭr means “breaking (the fast)”. The holiday celebrates the conclusion of the twenty nine or thirty days of dawn-to-sunset fasting during the entire month of Ramadan. The first day of Eid, therefore, falls on the first day of the month Shawwal”. – Wikipedia

Dinosaur expert Jason Hyde, 5, gets to know Bruno the T Rex on August 29, 2024. As the summer holidays draw to a close, parents and children enjoy Dinosaur-themed fun in Darlington town centre, UK, including a T-Rex walk and dino trail. (Photo by James Glossop/ The Times & Sunday Times)

A woman wades through a flooded village in the eastern state of Bihar, India August 22, 2017. (Photo by Cathal McNaughton/Reuters)

A woman covers her face as men throw colored powder at her during “Lathmar Holi” at the village of Barsana in the northern Indian state of Uttar Pradesh March 9, 2014. (Photo by Anindito Mukherjee/Reuters)

A one-horned rhino walks on the street of Sauraha, a tourism hub in southwest Nepal’s Chitwan district on July 10, 2018. (Photo by Sunil Sharma/Xinhua News Agency/Alamy Stock Photo)

The city of Meroë laid undiscovered for two millennia before British archaeologist John Garstang excavated it in the early 20th century. Garstang took the radical decision to document his discoveries with photography – and immortalised an ancient world. “Meroë: Africa’s Forgotten Empire” is being shown until 14 September at Garstang Museum of Archaeology, Liverpool. Here: A group visiting the excavations at Meroë, including (from left) Midwinter Bey, director of Sudan Railways; Lord Kitchener; General Sir Francis Reginald Wingate, Sirdar of the Egyptian Army; Professor Archibald Sayce; John Garstang; and Lady Catherine Wingate, 1911. (Photo by Garstang Museum of Archaeology)

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.