A view of the facade of a house in the village of Cherevkovo, Arkhangelsk region, Russia, July 12, 2016. Traditional wooden houses, many featuring exquisite carvings and craftsmanship, are falling into decay across Russia because of neglect, lack of funds and an exodus from the countryside to the cities. Urbanisation and a low birth rate are emptying out the countryside, and residents and authorities are often largely indifferent towards the historical value of their properties. (Photo by Maxim Shemetov/Reuters)

A stork-billed kingfisher (Pelargopsis capensis) is seen perched on a tree during monsoon rain on July 25, 2016 in Bintan, Indonesia. The stork-billed kingfisher is a tree species which is widely but sparsely distributed in the tropical Indian subcontinent and Southeast Asia, from India to Indonesia. This kingfisher is resident throughout its range. It is very large, measuring 35 to 38 cm (14 to 15 in) in length. The adult has a green back, blue wings and tail, and grey head. (Photo by Sijori Images/Barcroft Images)

Aquarium visitors attend a dinner party in an underwater tunnel in Tianjin, China on September 15, 2016. Tianjin Haichang Polar Ocean World opened in the city of Tianjin, southeast of Beijing, in 2010. It gives visitors a chance to see more than 150 large animals from the Arctic and Antarctic regions, including polar bears. (Photo by Feature China/Barcroft Images)

Armin Senoner conceptualizes class system based semiotic alpine escape all visuals courtesy of armin senoner. From birth, every human is organized through the hierarchical class system. Without regard to personal characteristics in the least, each is donned with a label; lower, middle, or upper. Society at large is innately regulated because by it, the rich do anything to remain at the top, the middle tries to overthrow the rich, and the poor just try to survive. Modern times, though less brutal, is no less restrained by the unspoken rules of social division.

There are not many sculptures in the world that were purposely made to be grotesque, especially on such a large scale. Thus, a Hungarian artist Ervin Loránth Hervé has apparently decided that there isn’t enough horror in this world and created the Feltépve – a sculpture of a stone giant ripping apart the earth in order to break free. However, when we look from another perspective this sculpture might depict a grouchy giant trying to cover himself with a blanket of earth so that everyone would leave him alone. The latter interpretation of this sculpture was probably not intended by the sculptor; however, the way the arms of the giant are positioned makes it look as if it was truly the case.

Family and friends sit in a vehicle trailer, where they will spend the night, near the enclosure for buffalos awaiting sacrifice on the eve of the sacrificial ceremony for the “Gadhimai Mela” festival in Bariyapur November 27, 2014. The festival renowned for its large number of animal sacrifices, is held every five years at the Gadhimai Temple where devotees from Nepal and bordering India will sacrifice buffaloes, goats and birds while offering prayers to Gadhimai, the goddess of power. (Photo by Navesh Chitrakar/Reuters)

Son doong cave is a cave in Phong Nha-Kẻ Bàng National Park, Bố Trạch district, Quảng Bình Province, Vietnam. Currently the biggest known cave in the world, the cave is located near the Laos-Vietnam border. Inside is a large, fast-flowing underground river.
In early August 2013, the first tourist group explored the cave on a guided tour at a cost of US$3,000 each. The group had six members from Australia, Norway, Russia and USA and spent 7 days and 6 nights for the tour. Next exploration trips will be arranged.

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.