Dancers wait in the wings before performing in a full-dress rehearsal at the Moulin Rouge in Paris on September 8, 2021, two days ahead of the reopening of the cabaret following an 18-month closure amid the COVID-19 pandemic. Closed for a year and a half due to the pandemic, the Moulin Rouge and Le Lido, emblems of the crazy Parisian nights since 1889, are finally reopening. (Photo by Christophe Archambault/AFP Photo)

Marilyn Monroe drinking a Coke and Jane Russell fixing her make-up during a break while filming “Genlemen Prefer Blondes”.

Dani (L) and Bella Thorne arrive at the 2016 American Music Awards in Los Angeles, California, U.S., November 20, 2016. (Photo by Danny Moloshok/Reuters)

English actress Florence Pugh attends the “Don't Worry Darling” red carpet at the 79th Venice International Film Festival on September 05, 2022 in Venice, Italy. (Photo by Vittorio Zunino Celotto/Getty Images)

A staff member, wearing a face mask following the coronavirus disease (COVID-19) outbreak, looks at a robot at the venue for the World Artificial Intelligence Conference (WAIC) in Shanghai, China on July 9, 2020. (Photo by Aly Song/Reuters)

“Michael Jackson, the performer, consistently transcended racial and gender perceptions; Michael Jackson tribute artists, impersonators and lookalikes reflect this in that they embody a wide span of inspiration and intention. The current crop of impersonators are people who take great care in their appearance – some spend a lot of money and time on their make up and clothing, while others are more concerned with the physical gestures associated with his dances while expressing very little concern in the creation of an illusion”. – Lorena Turner. (Photo and caption by Lorena Turner)

Glamour model and actress Sabrina seated on the knee of Arthur Askey. (Photo by Keystone/Getty Images). 1955

Planes land in fog at Heathrow Airport, west London on January 4, 2014, as heavy fog covers a many parts of the south east. (Photo by Steve Parsons/PA Images via Getty Images)