Fukusawa Takayuki is a Japanese designer, whose life’s goal is to brighten up the people's mood through his creations. His latest project sure does the job. In this project he created a number of figurine-pendants called the “Tanima Diver”. When worn by a woman with full breasts, it looks like the figurine is making a dive into her cleavage. Though only the most outgoing of girls will allow herself to wear such a necklace, it will surely bring a wide smile to the face of any man. (Photo by Takayuki Fukusawa)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)

Kim Joon is a Korean artist who specializes in creating images that resemble hollow porcelain human body parts painted in bold patterns from famous ceramic brands including Royal Copenhagen, Herend, and Villeroy & Boch. His latest project is called The Rocker and features a number of pictures of porcelain hands laying on a dish patterned in style of different famous rock bands of the past. The images are so vivid that it makes you think that these hands are actually real and not digitally crafted, though it would be amazing, if someone were to actually make a creation such as this in real life. (Photo by Kim Joon)

Miss Universe contestant Carolina Duran of Costa Rica, center, reacts to a TV network's drone as others prepare to pose from the deck of the yacht Happy Life prior to cruising to a beach resort in Batangas province Thursday, January 19, 2017 at the Philippine Navy headquarters in Manila, Philippines. Eighty-six candidates from around the world are vying for the title to succeed Pia Wurtzbach from the Philippines. The competition takes place on Jan. 30. They are, from left, Cherell Williamson of Bahamas, Rebecca Rath of Belize, Hildur Maria of Iceland, and Chanelle de Lau of Curacao. (Photo by Bullit Marquez/AP Photo)

The unromantic gypsies. Children boxing in a gypsy camp in Kent, England on July 1, 1951. Like all boys these gypsy lads like to try their hand at boxing. Encouraged by their friends they fight it out on Corke's Meadow. Few Romanies now live a life of wandering romance. Most are like the three hundred squatters of Corke's Meadow, Kent, which is part of a “gypsy problem” that involves about 100,000 today. Of those about 25,000 can be rightly called gypsies, the rest are Mumpers and Posh-rats and Hobos. Corke's Meadow has both kinds. “Picture Post” cameraman Bert Hardy photographs the Corke's Meadow gypsies in their encampment. (Photo by Hulton-Deutsch Collection/Corbis via Getty Images)

New Zealand photographer Niki Boon captured her children, who are growing up with limited electronics, in the photo series “Childhood in the Raw Photos”. Niki Boon began taking photos as a hobby while she was working as a physiotherapist in Scotland. However, the New Zealand native found her interest in the art waning while she travelled, and it wasn’t until she had returned home and started raising a family that her passion was rekindled. “Childhood in the Raw”, an ongoing photo series of her four children’s technology-free life on her 10-acre property in New Zealand, is the perennial fruit of this passion. (Photo by Niki Boon)

Roof-topping enthusiast Daniel Lau takes a selfie with high-rise buildings down below as he stands on the top of a skyscraper in Hong Kong, China on August 15, 2017. A craze that began in Russia has now taken hold in Hong Kong, one of the world's most vertical cities. Mr Lau said he had been inspired by Russian climbers and that he was unafraid of the vertiginous heights he scales. (Photo by ImagineChina/Rex Features/Shutterstock)

The Wildscreen festival is the world’s biggest celebration of screen-based natural history storytelling which takes place every two years in Bristol. Here: “Walrus in Midnight Sun”. Walrus feed mostly on bivalves in productive, shallow and often sandy habitats in the Arctic. This individual, though, arrived on a beach outside Tromsø, northern Norway, and found comfort on a stranded dead sperm whale. After two weeks he approached Audun, and only half a metre away he stretched his tusk forward and touched his hand gently. “This was one of the most memorable moments of my life”, Rikardsen says. He named the 500kg male Buddy. After two months, the dead whale was decomposed and Buddy suddenly disappeared. (Photo by Audun Rikardsen/Wildscreen 2016)