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Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)
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07 Mar 2017 00:04:00
Due to the lack of available space inside, most passengers resort to sitting on top of the train. (Photo by Yousuf Tushar/Solent News & Photo Agency)

A busy rush hour sees thousands of commuters climbing on board a train – as well as holding onto its sides and sitting on the roof before it speeds off. Men, women and children climb and are pulled up onto the roof of the train, which is around 12ft (3.6m) high, as they try to find themselves a space. With no seats available inside, many commuters decide to take the risk and choose a rooftop view for their journey out of Dhaka city, in Bangladesh. (Photo by Yousuf Tushar/Solent News & Photo Agency)
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14 Mar 2017 00:03:00
Members of the Raskol gang “Dirty Dons 585”, 9 Mile Settlement, Port Moresby. All of these young men committed a set of rapes and armed robberies. The gang members admit that two thirds of their victims are women

Members of the Raskol gang “Dirty Dons 585”, 9 Mile Settlement, Port Moresby. All of these young men committed a set of rapes and armed robberies. The gang members admit that two thirds of their victims are women. (Photo by Vlad Sokhin)
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20 Apr 2012 13:01:00
Winner. “I took this picture of a woman in traditional clothing in Cartagena, Colombia”. PAUL GOLDSTEIN, JUDGE: “The blaze of colour from every angle, the boldness of the picture, taken from behind, which gives it so much more allure and frankly a superb get up. Did I mention the colours? Oh, and that looks suspiciously like a Nokia”. (Photo by Stanislav Shmelev/The Guardian)

Winner. “I took this picture of a woman in traditional clothing in Cartagena, Colombia”. PAUL GOLDSTEIN, JUDGE: “The blaze of colour from every angle, the boldness of the picture, taken from behind, which gives it so much more allure and frankly a superb get up. Did I mention the colours? Oh, and that looks suspiciously like a Nokia”. (Photo by Stanislav Shmelev/The Guardian)
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30 Mar 2017 11:05:00
Women in lingerie touching each other. (Photo by BDLM/Getty Images)

Women in lingerie touching each other. (Photo by BDLM/Getty Images)
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29 Apr 2018 00:05:00
Path to the shine. (Ildiko Neer)

“I bought my first dlsr camera in 2009 may. The first part of my life is gone but the other i dedicate to photography. If i try to imagine myself, i saw someone on the road, who walking straight to the light. This kind of light is the photography and the post-processing in my life. My pictures express the feelings, moods what i felt under my trip in the last few years”. – Ildiko Neer

Photo: “Path to the shine”, 2011. (Photo by Ildiko Neer)


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12 Dec 2012 06:39:00
Colleen Kelley, of Iowa City, Iowa, fixes the hat on her dog Bruce during judging at the 35th annual Drake Relays Beautiful Bulldog Contest, Monday, April 21, 2014, in Des Moines, Iowa. The pageant kicks off the Drake Relays festivities at Drake University where a bulldog is the mascot. (Photo by Charlie Neibergall/AP Photo)

Colleen Kelley, of Iowa City, Iowa, fixes the hat on her dog Bruce during judging at the 35th annual Drake Relays Beautiful Bulldog Contest, Monday, April 21, 2014, in Des Moines, Iowa. The pageant kicks off the Drake Relays festivities at Drake University where a bulldog is the mascot. (Photo by Charlie Neibergall/AP Photo)
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23 Apr 2014 08:33:00
54 Hàng Ga (Chicken Street), 1994. (Photo by  William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)

Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)
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27 Jun 2018 00:01:00