“I like to draw simple, creepy and weird illustrations on feet pictures of friends and people. When nobody volunteers I do it on my own feet. Everything is being done on the phone only”. – Uttam Sinha

The first images of the 1001bhp monster were released via facebook on Thursday. Now the force has also published a video of the car, which joins the likes of McLaren, Lamborghini and Ferrari in Dubai Police’s fleet of supercars. The police have said that it is using supercars to show the world how progressive Dubai is and to demonstrate why it is the right city to host major events such as Expo 2020.

A girl allows a butterfly to be placed on her nose at the Sensational Butterflies exhibition at the Natural History Museum on April 6, 2011 in London, England. The exhibition is divided up into five sensory zones exploring how butterflies see, hear, taste, smell and touch. The display containing hundreds of butterflies runs from April 12 to September 11, 2011. (Photo by Peter Macdiarmid/Getty Images)

With the city of Miami skyline behind it a grand piano is seen on a sandbar in Biscayne Bay on January 26, 2011 in Miami, Florida. It's unknown how or why the heavy musical instrument was on the sandbar but some were speculating it was part of a music video production. The piano was charred from being burned. (Photo by Joe Raedle/Getty Images)

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.

These powerful images capture the spear-wielding tribes of Papua new Guinea who believe they are possessed with the spirit of the crocodile. They show how the Kangunaman clansmen scar their backs to resemble reptile scales while the Huli Wigmen wear elaborate headdresses to signal they are ready for battle. (Photo by Trevor Cole/Media Drum World)