A model presents a creation by Moroccan designer Fadila El Gadi during a fashion show in Rabat on May 30, 2023. (Photo by Fadel Senna/AFP Photo)

A woman paints the floor of a pond as her child pulls at her saree in Delhi, India November 23, 2016. (Photo by Cathal McNaughton/Reuters)

Farmers take a break for lunch while celebrating National Paddy Day, also called Asar Pandra, that marks the commencement of rice crop planting in paddy fields as monsoon season arrives, in Kathmandu, Nepal, June 29, 2020. (Photo by Navesh Chitrakar/Reuters)

Car headlights illuminate a woman walking through city streets as snow accumulates on December 16, 2020 in Wilkes Barre, Pennsylvania. Winter Storm Gail is expected to bring more than a foot of snow in parts of the Northeast. (Photo by Mark Makela/Getty Images)

A student from the General Yermolov Cadet School performs with models of swords during celebrations of Maslenitsa, or Pancake Week, a pagan holiday marking the end of winter, in southern city of Stavropol, Russia, March 6, 2019. (Photo by Eduard Korniyenko/Reuters)

Relatives wearing personal protective equipment (PPE) mourn a man, who died from the coronavirus disease (COVID-19), during his funeral at a crematorium in New Delhi, India on April 21, 2021. (Photo by Adnan Abidi/Reuters)

Hotel staff demonstrates “Lantern Dining Experience”, which enables diners to enjoy meals while protecting themselves against the spread of the coronavirus disease (COVID-19) at Hoshinoya Tokyo in Tokyo, Japan, February 2, 2022. The lantern-shaped transparent partitions are created by Japan’s traditional craftsman and guests staying at the hotel who pay 30,000 yen (about 260 USD) as venue charge can invite others to dine with them under the partitions. (Photo by Kim Kyung-Hoon/Reuters)

Wide-angle category winner. Part of the Illusion by Marcus Blatchford (UK). Location: National Dive & Activity Centre, Chepstow, Wales. “This is the deepest inland dive centre in the UK. The dive plan was to explore the deep end, but this time I dived ‘unplugged’ (without my strobes). With the exception of this change to my camera technique, there were no planned shots I wanted to achieve – just a fun dive with ad-hoc photos along the way. Shortly after this photo was captured, in 6C water and two hours of decompression ahead of us, we turned and started the long ascent back to the surface”. (Photo by Marcus Blatchford/Underwater Photographer of the Year 2016)