A man with blood on his shirt is evacuated from Brussels Airport in Zaventem, Belgium, on Tuesday, March 22, 2016. (Photo by Dirk Waem/Belga/Zuma Press/TNS)

A videographer uses a drone as he takes a video of a model presenting a lingerie creation at the rehearsal for Eve's Temptation collection during China Fashion Week in Beijing, October 26, 2014. (Photo by Kim Kyung-Hoon/Reuters)

The FFZero1 by Faraday Future is displayed at CES Unveiled, a media preview event for CES International Monday, January 4, 2016, in Las Vegas. The high performance electric concept car was unveiled during a news conference by Faraday Future. (Photo by Gregory Bull/AP Photo)

Intrigued by photographing time, Singapore-based photographer Fong Qi Wei created single, composite pictures from a sequence of images spanning 2-4 hours. He concentrated on capturing sunrises and sunsets as they evolved over different landscapes, seascapes, and cityscapes. He then digitally stitched the images together to get a snapshot of time passing over the scene for his series “Time is a Dimension”. “Most paintings and photographs are an instance of time”, Wei explained in his artist’s statement. “That’s not the way the world works. We experience a sequence of time, and that’s why a video is somehow more compelling than a freeze frame”. (Photo by Fong Qi Wei/Thoughtful Photography)

This series of pictures shot by satellite, show the man-made world as astronauts see it. Artist Benjamin Grant uses Google Earth to find the most compelling satellite images of human civilization. The stunning pictures of sprawling metropolises and vast reservoirs are sometimes unidentifiable until zoomed in. In order to find an extraordinary picture in the practically endless supply of satellite data, Benjamin focuses on the themes of current events or environmental issues. Here: Industrial Sector, Tokai, Japan. (Photo by Benjamin Grant/Digital Globe/Caters News)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

A rider on horseback competes in the Margalla Festival Tent Pegging Championship in Islamabad, Pakistan, June 5, 2016. Tent pegging is an equestrian sport popular in India and Pakistan, with a history going back to the cavalries of ancient armies. (Photo by Caren Firouz/Reuters)

Palestinian children practise parkour along a beach in Gaza City at sunset on January 27, 2021. (Photo by Mohammed Abed/AFP Photo)