Chinese woman Duo Zirong feeds stray cats at her home February 14, 2006 in Shanghai, China. Duo Zirong, a Daur ethnic minority group woman from Inner Mongolia and reported as the “Cat Woman”, has housed about 300 cats with her Shanghainese husband Liu Junluo and mother-in-law. (Photo by China Photos/Getty Images)

Joel said documenting the Kazakh nomad summer migration was really an epic journey – a time travel journey – and at the same time was possible to get an understanding of how the balance of nature is still possible in Altai Mountains, Mongolia, June 2015. (Photo by Joel Santos/Barcroft Images)

Purev and Buyantogtokh enjoy the warmth of the fire in the snow in Altai Mountains, Mongolia, September 2016. Navigate the snowy wilds of Mongolia with this nomadic reindeer herding family. Photographer Joel Santos dived 1000km into the depths of Northern Mongolia to visit the Ganbaa family near Khovsgol Lake. (Photo by Joel Santos/Barcroft Images)

Photograph Jill Greensberg is known for her ability to bring human qualities into animal photography. Her “Bear Portraits” project carries all the spectrum of emotions and personalities along with the depths of characters captured in different members of the Ursidae family

“In beard and hat”; Udine, Friuli-Venezia Giulia, Italy, 2013. (Photo by Giulio Magnifico)

“Bread and Shutter” Studio is presenting us with a set of vivid photos that immediately catch our attention with their Eastern feel. They were probably attempting to make a joke with their “East Meets West” photo, were a girl’s burka is made of what looks like leather jacket with a steel zipper; however, in our humble opinion, it wasn’t a very good one. Nevertheless, other photos in this set are quite sensual and mystifying, creating the impression that these women came to us from never before seen lands and fairytales. (Photo and caption by “Bread and Shutter” Studio)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.