A priest is seen looking out of Abuna Yemata church’s only window. Priests cheerfully tell visitors that pregnant women, babies and old people attend Sunday services and no one has fallen off. (Photo by Ethiopia – The Living Churches of an Ancient Kingdom/The American University in Cairo Press/The Guardian)

A storm trooper feeds a walker in the grass, taken in Glasgow, Scotland, December 2016. Tiny Storm Troopers and a mini Darth Vader are captured doing everyday activities – from taking a bath, to wrapping presents. Scottish Artist and Photographer, David Giliver created these scenes over a period of two years using toys and miniature props. (Photo by David Gilliver/Barcroft Images)

Live octopus is a delicacy in South Korea but is a known choking hazard, since the still-moving suction cups can cause tentacle pieces to stick in a person's throat. A baby octopus is often consumed whole, while larger varieties are cut up and the still-wriggling tentacles eaten with a splash of sesame oil. Photo: A South Korean man and a woman eat a live octopus during an event to promote a local food festival in Seoul on September 12, 2013. (Photo by Jung Yeon-Je/AFP Photo)

The hard-worked hands of Jacaba Coaquira, 80, holding the green beans she grew on her land. This year the production of her land was affected by lack of rain and early cold weather that froze the crops before they finished growing. Santiago de Okola, Bolivia. (Photo by Renée C. Byer/Living on a Dollar a Day)

Carine Louis-Jean, 22, poses for a photograph in her destroyed house after Hurricane Matthew hit Jeremie, Haiti, October 17, 2016. “The roof of my house is completely gone and some of walls were destroyed. I have lost everything I had, but I thank God that I have a friend who is letting me stay at her house. I could say I'm lucky, because none of my family died during the hurricane, but I do not think I'm lucky”, said Louis-Jean. (Photo by Carlos Garcia Rawlins/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

A boy runs next to a portrait of Thailand's King Bhumibol Adulyadej, placed in celebration of the King's 88th birthday, in Bangkok, Thailand, December 5, 2015. (Photo by Jorge Silva/Reuters)