Patients from the Larco Herrera Psychiatric Hospital wear costumes in the likeness of the first governor and founder of the Inca civilization, Manco Capac, right, and his wife Mama Ocllo, during the hospital's Independence Day parade in Lima, Peru, Wednesday, July 22, 2015. The parade is held on the hospital's campus every year ahead of the Andean nation's official Independence Day celebrations on July 28. (Photo by Martin Mejia/AP Photo)

Merit: A Night at Deadvlei. The night before returning to Windhoek, we spent several hours at Deadveli. The moon was bright enough to illuminate the sand dunes in the distance, but the skies were still dark enough to clearly see the milky way and magellanic clouds. Deadveli means “dead marsh. The camelthorn trees are believed to be about 900 years old, but have not decomposed because the environment is so dry. (Photo and caption by Beth McCarley/National Geographic Traveler Photo Contest)

Girls, who are part of Afghan Mobile Mini Circus for Children (MMCC), participate in a juggling competition in Kabul, Afghanistan August 12, 2015. The MMCC, founded by David Mason from Denmark, teaches cooperation and creativity to children scarred by years of war in Afghanistan. Despite the dangers, the project has grown so popular that it now runs centres in ten provinces and has hundreds of regular students. The circus makes visits to internally displaced persons' camps, schools, orphanages, and holds annual festivals. The children are taught the skills of juggling clubs, walking on stilts and acrobatics. (Photo by Ahmad Masood/Reuters)

The Arcaid awards highlight the best architectural photographs of the year – pictures of everything from giant arenas to tiny huts. The shortlisted photographs will be exhibited at the World Architecture Festival in Berlin, from 16 to 18 November, with an overall winner announced during the event’s gala dinner. Here: The stage for Haduwa Arts & Culture Institute, Ghana. Architect: (applied) Foreign Affairs. Nominated in the Sense of Place category. The open-air auditorium of this arts institute in Apam, Ghana, is built from ultra-strong curved bamboo. (Photo by Julien Lanoo)

Photographer Pol Kurucz’s vivid collection of photos explores issues faced by black Brazilian women, from political misrepresentation to unrealistic beauty standards. Kolor Collective is a Rio de Janeiro-based creative group that challenges the struggle faced by black women in Brazil through theatrical and provocative art. It was founded in 2015 by Franco-Hungarian photographer Pol Kurucz, who often touches on his own experiences of discrimination to call out sensitive social problems. (Photo by Kolor Art Collective/The Guardian)

Members of Japan's idol group “Virtual Currency Girls” wearing cryptocurrency-themed masks perform in their debut stage in Tokyo, Japan, January 12, 2018. Japanese female idols have teamed up to form the ‘Virtual Currency Girls’ group to promote the knowledge of cryptocurrencies through entertainment. Each of its 8 members represents a cryptocurrency: bitcoin cash, bitcoin, ether, neo, nem, ripple, mona, and cardano. (Photo by Kim Kyung-Hoon/Reuters)

A Mongolian Shamaness or Buu, beats her drum while taking part with others in a fire ritual meant to summon spirits to mark the period of the Summer Solstice in the grasslands on June 22, 2018 outside Ulaanbaatar, Mongolia. Banned for 70 years under Communist rule, shamanism has seen a resurgence in Mongolia since 1992, when the ancient practice became protected by the country's Constitution. Known as Tengrism, in which Shamans channel ancestral spirits, it is widely regarded as Mongolia's national religion and part of its indigenous identity. (Photo by Kevin Frayer/Getty Images)

Roza Khamitova was born into a family of artists in Kazakhstan. After finishing design school in Manhattan, New York, she was working in fashion industry for about 8 years. As a visual artist Roza had always drawn most of her inspiration from the natural world around her in the mountains of Kazakhstan. In 2011 she launched Shovava, her personal line of women’s clothing based on her hand drawn paintings and prints of the animals, plants and patterns found in nature. Roza was enchanted by the beauty of wings, its structure and symbolism. First, she sketches big wide-spread wings on paper with a light pencil, adds black ink to create a three-dimensional feel and fills with stunning watercolors.