Hugo Belleri (L), a three-year-old boy and the youngest Gilles of Binche, takes part in the parade of Young Gilles of Binche during the carnival event in Binche February 17, 2015. The Binche carnival, a UNESCO World Heritage event, is the biggest and the liveliest annual event in Belgium. Up to 1,000 Gilles parade in the city centre of Binche, wearing a red, yellow and black medieval costume hung with bells and decorated with fluffy lace at the neck, wrists and ankles. (Photo by Yves Herman/Reuters)

Beneath the Swedish capital lies an intricate web of underground train lines. More than 90 of the 100 stations in the 110km tunnel system, sometimes referred to as “the world’s longest art gallery”, have been decorated with paintings, installations, mosaics and sculptures by 150 artists since the 1950s. After spending a couple of weeks exploring arctic Norway and Sweden, London-based travel photographer Conor MacNeill headed underground to capture images of the metro stations. Here: A rainbow arcs over a girl on the platform of Stadion station. (Photo by Conor MacNeill/The Observer)

Pilgrims lift up their dresses as they cross the Quema river during the annual El Rocio pilgrimage in Villamanrique, near Sevilla on June 1, 2017. El Rocio pilgrimage is the largest in Spain with hundreds of thousands of devotees wearing traditional outfits converging in a burst of colour as they make their way on horseback and decorated carriages across the Andalusian countryside. (Photo by Cristina Quicler/AFP Photo)

“Romain de Tirtoff (23 November 1892 – 21 April 1990) was a Russian-born French artist and designer known by the pseudonym Erté, the French pronunciation of his initials, R.T. He was a diversely talented 20th-century artist and designer who flourished in an array of fields, including fashion, jewellery, graphic arts, costume and set design for film, theatre, and opera, and interior decor”. – Wikipedia. Photo: Romain de Tirtoff (Erte) – “Symphony In Black” (please click to enlarge).

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.