An H-2A rocket carrying Japan's fourth and final quasi-zenith satellite, the Michibiki No. 4, lifts off from the Tanegashima Space Center in Kagoshima Prefecture, southwestern Japan in this photo taken by Kyodo on October 10, 2017. (Photo by Reuters/Kyodo News)

A visitor kneels on the 180-meter-high and 300 meter-long glass-bottomed suspension bridge at the Shiniuzhai National Geopark in Pingjiang county, in central China's Hunan province, 24 September 2015. (Photo by Jiao Zi/Imaginechina via AFP Photo)

A man is reflected in the water as he sleeps on the street in Kathmandu, Nepal, 27 June 2023. Despite the Meteorological Forecasting Division of Nepal already announcing the onset of the monsoon season in the country on June 14, 2023, the monsoon rainfall has not been significantly active yet. (Photo by Narendra Shrestha/EPA)

Planes land in fog at Heathrow Airport, west London, as heavy fog covers a many parts of the south east, on April 1, 2014. (Photo by Steve Parsons/PA Wire)

The student Patricia Vasconcellos de Almeida, 22, tried to kiss one of the military police who formed a cordon ostensibly in front of the building Fetranspor (Federation of Transport Companies), in Rio de Janeiro, on June 27, 2013. (Photo by Zulmair Rocha/UOL)

A woman takes a selfie picture at the Poklonnaya Hill in western Moscow near the main building of the Moscow State University on June 17, 2020, as the air temperature approaches 30 degrees Celsius. (Photo by Alexander Nemenov/AFP Photo)

A Christian devotee participates in a re-enactment of the crucifixion of Jesus Christ on Good Friday in Chennai on April 7, 2023. (Photo by R.Satish Babu/AFP Photo)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)