A veterinarian kisses an 8-month-old cat, wearing a prosthetic two-wheel device, at a veterinary hospital in Chongqing municipality, March 16, 2015. The cat's rear legs lost the abilty to walk after falling from the ninth to fifth floor of a building last November, its since undergone four major surgeries which included removing parts of its organs, local media reported. (Photo by Reuters/China Daily)

A student uses a ruler to measure the distance between forks before a formal dinner at The International Butler Academy China on September 16, 2014 in Chengdu, China. Over the last several years, there has been a surge in demand among China's wealthy for Western-trained butlers, with many academies seeing large portions of their graduating classes hired by Chinese families or companies. (Photo by Taylor Weidman/Getty Images)

Andy Kehoe recently returned to New York for his third solo show with Jonathan LeVine Gallery. Entitled Luminous Reverie, this show explores the idea of experiencing a lucid moment while drifting along in a daydream. We enjoyed the works, which continued the new direction that he premiered during a show in Los Angeles last year (covered). Again, Kehoe explores the technique of painting layers upon layers of resin and creating a natural 3-D visual element for the viewers to enjoy. This show will be up until June 15th, so stop by and check it out if you’re in NYC.

Last Friday, in Afghanistan's mountainous northeastern province of Badakhshan, an enormous landslide took place, burying much of a small village, and killing hundreds. Officials say that at least 300 residents of Abi Barik village were killed, but are uncertain about exact numbers, cautioning that the final number could be 500 or more. Rescue teams gave up hope on Saturday of finding any survivors, focusing energy on helping the hundreds suddenly made homeless. Many of the surviving families have struggled to get aid. Some have gone to nearby villages to stay with relatives or friends, while others have slept in tents provided by aid groups.

British artist Nick Veasey used an X-ray machine to show us exactly what's going on under people's clothes. The equipment took copies of items separately before they were mashed together to create characters and situations. The work is part of Veasey's latest exhibition named “X-ray Voyeurism”. In order to create the work, the 51-year-old has spent the last 20 years exposing himself to harmful radiation in his studio. Photo: “Stripper”: Has tucked her cash away safely. (Photo by Nick Veasey/Barcroft Media)

To produce the images that convey his fatalistic and ironic approach to life, tinged with hope, he needed the environment and knowledge of Mother Russia, oiled with a bit of bribery to certain circus trainers. Enter the Great Russian Bear, the personification of Russia for the last several centuries, onto center stage and into his studio. The bear is recognized as both brutish and cute – Misha was the mascot for the 1980 Olympic Games – and has remained a symbol of Russia since Tsarist times. In 2009 it is the symbol of the United Russia Party.

“I bought my first dlsr camera in 2009 may. The first part of my life is gone but the other i dedicate to photography. If i try to imagine myself, i saw someone on the road, who walking straight to the light. This kind of light is the photography and the post-processing in my life. My pictures express the feelings, moods what i felt under my trip in the last few years”. – Ildiko Neer

Photo: “Path to the shine”, 2011. (Photo by Ildiko Neer)

Glasgow based artist dressed Frank To dressed in a medieval Plague Doctor costume sits beside 72-year-old Willie Kennedy from Glasgow on March 31, 2011 in Glasgow, Scotland. The artist is promoting his first major exhibition in two years, “The Human Condition”, which opens tomorrow at the Leith Gallery in Edinburgh. The artist is showing a series of pictures which depict Mediaeval Plague Doctors, which have fascinated the artist for the last three years. (Photo by Jeff J Mitchell/Getty Images)