Aldi SugandaRizal (2 years-old) smoking a cigarette while playing at the family home in Sekayu district, South Sumatera, Indonesia on May 23, 2010. (Photo by Ardiles Rante/Barcroft Media)

English singer and songwriter Dua Lipa (right) seems to be happy hanging with British model Sarah Lysander early May 2022. (Photo by ellis_kaplan/Instagram)

In a handout picture released by the Brit Awards English singer-songwriter Dua Lipa poses with her awards for Female Solo Artist and British Album at the BRIT Awards 2021 in London on May 11, 2021. (Photo by John Marshall/Handout via Reuters)

A devotee participates in Bonalu festival in Hyderabad, India, Thursday, June 22, 2023. Bonalu is a month-long Hindu folk festival of the Telangana region dedicated to Kali, the Hindu goddess of destruction. (Photo by Mahesh Kumar A./AP Photo)

In this Wednesday, April 8, 2020, photo, youths remove their mask to record a dance routine on the streets of Wuhan in central China's Hubei province. Released from their apartments after a 2 1/2-month quarantine, residents of the city where the coronavirus pandemic began are cautiously returning to shopping and strolling in the street but say they still go out little and keep children home while they wait for schools to reopen. (Photo by Ng Han Guan/AP Photo)

Richard Winsor, Ashley Shaw, Zizi Strallen, Glenn Graham, Nicole Kabera, Harrison Dowzell, Will Bozier and Cordelia Braithwaite during a photo call for Sir Matthew Bourne's The Car Man at the Royal Albert Hall, London on May 11, 2022, a reinterpretation of Bizet's Carmen, staged in 1960s American diner-garages with a specially expanded 65-dancer production for the hall, as part of its 150th anniversary. (Photo by Ian West/PA Images via Getty Images)

“Michael Jackson, the performer, consistently transcended racial and gender perceptions; Michael Jackson tribute artists, impersonators and lookalikes reflect this in that they embody a wide span of inspiration and intention. The current crop of impersonators are people who take great care in their appearance – some spend a lot of money and time on their make up and clothing, while others are more concerned with the physical gestures associated with his dances while expressing very little concern in the creation of an illusion”. – Lorena Turner. (Photo and caption by Lorena Turner)

Sultan, a famous captive fennec that is displayed tied on a rope in front of a tourist shop, is the main attraction in the souk of Douz, a desert town in Tunisia. By the display of such a charismatic animal, tourists are often lured to buy things or pay for pictures. On inquiry, although Sultan has been caught as a pup in the wild, the owners of the shop reassure the foreigners stating that the animal is ‘domestic’. (Photo by Bruno D’Amicis/Fritz Pölking Prize/GDT EWPY 2015)