Street musicians with their faces covered with animal masks play to earn some money in central Vienna, Austria, November 8, 2015. (Photo by Vasily Fedosenko/Reuters)

Children of Indian laborers play on make-shift swings in Amritsar, India, May 12, 2015. (Photo by Narinder Nanu/AFP Photo)

A member of a local swimming club holds a Russian national flag as he dives in at the start of a 24-hour swimming marathon near the western Siberian city of Barnaul March 29, 2014. Thirty members of the club will swim in turn during the event, held to mark Crimea becoming part of Russia, local media reported. (Photo by Andrei Kasprishin/Reuters)

A masked reveller parades through the streets on the first day of the carnival season in Lucerne, Switzerland, 12 February 2015. In the background the well known Kappellbruecke bridge. (Photo by Alexandra Wey/EPA)

Festival-goers wash on Shipyard Island, the venue of the 24th Sziget (Island) Festival in Northern Budapest, Hungary, 15 August 2016. The venue, one of the biggest cultural events of Europe, offers art exhibitions, theatrical and circus performances and above all music concerts from 10 to 17 August. (Photo by Szabó Gábor/Origo.hu)

A child walks to an installation made from fallen leaves by college students, in shape of a sofa, to call for people's attention to environment protection, in Hangzhou, Zhejiang province, China, December 6, 2016. (Photo by Reuters/China Daily)

Models promote a condom brand at the first Shenzhen s*x Culture Festival on September 21, 2007 in Shenzhen of Guangdong Province, China. The festival aims to increase awareness about reproductive health and popularise s*x education. (Photo by China Photos/Getty Images)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)