Iran's Hanieh Rajabi performs during the women's Daoshu competition at the 13th Wushu World Championships in Jakarta, Indonesia, Monday, November 16, 2015. (Photo by Tatan Syuflana/AP Photo)

A model presents a creation from the Jeremy Scott Spring/Summer 2015 collection during New York Fashion Week September 10, 2014. (Photo by Lucas Jackson/Reuters)

A man photographs Anila Quayyum Agha's “Intersections” art work on the first day of ArtPrize at the Grand Rapids Art Museum in Grand Rapids, Mich. on Wednesday, September 24, 2014. (Photo by Emily Rose Bennett/AP Photo/The Grand Rapids Press)

Participants wear traditional clogs as shepherds lead their sheep through the center of Madrid, October 28, 2012. (Photo by Andres Kudacki/Associated Press)

A woman directs traffic in the pouring rain in Pyongyang, North Korea on May 3, 2016. The city is preparing for the Workers' Party Congress starting on May 6th. It will be the first time since 1980 that the ruling party has convened. (Photo by Linda Davidson/The Washington Post)

“Red Land: Sunset Cloud Village is one of the most picturesque places in Red Land, China. As its name indicates, it's best to see before sunset. The reddish brown soil turns redder after rainfall and after farmers plow the land”. (Photo and comment by Peng Jiang/National Geographic Photo Contest via The Atlantic)

Members of staff makes last minute touch ups of wax figure Chewbacca, from Star Wars, on display at “Star Wars At Madame Tussauds” on May 12, 2015 in London, England. (Photo by Stuart C. Wilson/Getty Images)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)