Members of the media touch a moving model of a Tyrannosaurus, which uses a dinosaur-type human-operated mechanical suit called “Dino-Techne” by Japanese firm On-Art, during a media preview of the Dinoa Live Exhibition / Amazing Dinosaur Art Exhibition in the Shinjuku district of Tokyo on December 10, 2020. (Photo by Philip Fong/AFP Photo)

Photographer Henry Hargreaves and artist Caitlin Levin have been working together for about decade. Their shared love for “food, photography, travel, and art” has found an outlet in a series of maps that they have illustrated with food.

Artist Tsuneo Sanda was born in Osaka, Japan. He first came to Tokyo at age 23, and has been there ever since. He lives in a rural, residential town about 20km west of Tokyo with his wife, Sachicko, two sons, Kensaku and Sohei, and Vivian, their American Shorthair cat.

When wedding photographer Katie Yeaton saw that one of her dogs had white fur and the other had black-and-white fur, she did what only a wedding photographer could do: she threw them a backyard wedding complete with professional photography to remember the day. (Photo by Katie Yeaton)

The Genghis Khan Statue is a 40-metre tall statue of Ghengis Khan (1162–1227) on horseback, on the bank of the Tuul River at Tsonjin Boldog (54 km east of the capital Ulan Bator), where according to legend, he found a golden whip.

The mummy of Yuya thought by some to be Josua who, after Moses, led the Hebrews into the Promised land and logically would be the father-in-law of Amenophis III, at Cairo Museum, Egypt. (Photo by Patrick Landmann/Cairo Museum/Getty Images)

Two working girls entertaining themselves in the absence of customers at the Moonlite Bunny Ranch, a legal brothel owned by Dennis Hof, in Lyon County, one of the fews counties in the USA which permits legalized prostitution. (Photo by Stephan Gladieu/Getty Images)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.