A fox runs out onto the pitch before the start of the second half. Celtic League 2012/13, Round 19, Leinster v Ulster, RDS, Ballsbridge, Dublin, March 30, 2013. (Photo by Paul Mohan)

La Traviata chandelier is positioned on stage at Mrs Macquarie's Point on March 16, 2012 in Sydney, Australia. Covered with 10,000 Swarovski crystals, the 9 metre high chandelier will be hung above the performing stage of the La Traviata Opera. (Photo by Brendon Thorne/Getty Images)

The Flying Bull's P-38 Lockheed Lightning N25Y / 13 – Red Bull – Flying Legends Airshow 2012 Duxford (Photo by Rob Lovesey)

“I See Sea” by Photographer Dmytriy Dokunov. The frozen Black Sea. Scene of action: Odessa, Ukraine; January, 2012. (Photo by Dmytriy Dokunov)

Fireworks light up the London skyline and Big Ben just after midnight on January 1, 2012 in London, England. Thousands of people lined the banks of the River Thames in central London to see in the New Year with a spectacular fireworks display. (Photo by Peter Macdiarmid/Getty Images)

In this combination image visitors to the London Super Comic Convention dress as their favourite Marvel comic characters at ExCel on February 25, 2012 in London, England. Visitors to the Comic Convention are encouraged to wear a costume of their favourite character. (Photo by Peter Macdiarmid/Getty Images)

Kim Leuenberger is a Swiss photographer with a love for travel. She believes we are all explorers and is currently studying photography at University of the Arts London. These photos are from her series, “Traveling Cars Adventures”. Photo: “Lover of the Light”, Red Union Jack Mini Cooper, Bern, Switzerland, October 2012. (Photo by Kim Leuenberger)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)