A grasshopper in a protective mask created by microminiaturist Anatoly Konenko in Omsk, Russia on May 21, 2020. Mini-masks about the size of a rice grain are made of a special high-density medical fabric with a built-in air filter. Anatoly Konenko is one of Russia's most famous microminiaturists; his works include a grasshopper playing a violin, a shod flea, a miniature bass guitar, a camel train in a needle's eye, and over 200 miniature books. (Photo by Yevgeny Sofiychuk/TASS)

A close-up shot of dews of a soldier fly on August 2014, in Banten, Indonesia. Wildlife photographer takes incredible close-up images of tiny bugs. Yudy Sauw has captured close-up images of creepy crawlies – revealing their disturbing faces. The insects have an assortment bulging eyes and sharp pincers and look grotesque in the face-to-face shots. The miniature-models include a soldier fly, a red ant and a longhorn beetle. The 33-year-old photographed the bugs at his home studio in Banten, Indonesia, placing them 2-10 centimeters away from the camera. (Photo by Yudy Sauw/Barcroft Media)

At first glance, you may think you’re just gazing upon serene sunsets, breathtaking landscapes and peaceful coves of distant lands. It’s not until you realise the settings are made entirely from food that you can feast your eyes over the magnificence of Carl Warner’s “foodscapes”. Photo: “Salami Tuscany”. (Photo by Carl Warner)

Myoung Ho Lee‘s 2007 Tree series is about as peaceful and serene as the scenery itself. In the series, the young South Korean photographer touches upon the subjects of physical isolation and visual confirmation. By placing the tree in front of a stark white background, Lee creates a false separation that plays a delightful game with the mind’s eye.

Ten finalists capture the theme of “through young eyes” in this young photographers’ competition that aims to engage youth around the world in wildlife conservation. Here: Heavy bodied jumping spider by Md Rashuidul Rabby, age 23, from Bangladesh. (Photo by Md Rashuidul Rabby/WWD2017)

Dutch artist Suzan Drummen‘s large-scale floor installations are mesmerizing and complex circular patterns made out of mirrors and brightly colored glass. The fractal-like arrangements feature ornate and elaborate circles growing exponentially out of each other and vibrant rings of spiraling colors winding into the surface of the floor. They are composed of crystals, chromed metal, precious stones, mirrors and optical glass. A sensory experience, and visually stimulating, the glittering installations play with the architecture of the space — climbing up walls and sweeping across the surfaces — examining the idea of illusion and optical effects.