These timeless postcards offer an eye-opening glimpse into life in Japan in the early 20th century. Taken from hand-colored photographs, the postcards showcase the still beauty of the country, depicting a nation on the cusp of modernization. The images feature solemn fishermen, bustling streets, temples and shrines: a country yet to be influenced by Western culture. The tinting effect brings out the rich colors of the natural surroundings, with trees, flowers and cherry blossoms jumping from the original black-and-white images. Here: Toyokuni Shrine Nakanoshima, Osaka, Japan. (Photo by New York Public Library/Caters News)

“In a nutshell and to prevent my english readers from experiencing eye bleeding after having read too many syntax errors, I’m a french journalist – I work as an editor, not as photographer – who happens to be nuts about photography. Being the happy owner of too many Leica M for a man to shoot, I spend most of my free time shooting my friend and my town, Strasbourg, in b&w and sometimes in colors”. – Manuel Plantin

Photo: “Even detectives got the blues”. Strasbourg, 2011 (Photo by Manuel Plantin)

An Indonesian model wearing a colorful costume participates in a parade during the Batam Island International Culture Festival in Batam Island, Indonesia, 16 December 2017. Batam Island, an industrial area in Indonesia, is boosting the tourism sector to improve the economy of its community by eyeing the visitors' boom of next door country Singapore. (Photo by Hotli Simanjuntak/EPA/EFE)

Postcards for Ants is an ongoing painting project by Cape Town artist Lorraine Loots who has been creating a miniature painting every single day since January 1, 2013. The artist works with paint brushes, pencils, and bare eyes to render superbly detailed paintings scarcely larger than a small coin. After the first year, Loots relaunched the project in a second phase inspired by Cape Town’s designation as World Design Capital 2014.

What do you imagine when you look through a key hole? Do you imagine seeing a Wonderland with a sinister Queen of Heart ruling over a magical kingdom? Or you might imagine an eye staring back at you, if you’re a fan of horror movies. Least of all do you expect seeing a picturesque view of St. Peter’s Dome, perfectly framed by green hedges. Is it a lucky coincidence, or was it intended by the maker? We might never know. However, this became a curious sightseeing spot for many tourists who visit Rome. Thus, if you’re ever in the area of Priorato dei Cavalieri di Malta, be sure to peep into this key hole.

Helios is usually a common USA digital photographer that's creating online photographs underneath the identity Helios-spada.They generates a amazing infrared taking pictures series. This particular taking pictures string is done in the range of 750-1400 nm, that is beyond your limitations regarding obvious lighting along with will allow you to see the world that is usually not often seen by simply a persons eye. Throughout infrared taking pictures, landscaping usually are changed into remarkable displays, the place the recognizable vista resemble surreal styles of dreamland. Look into infrared taking pictures of Helios-spada and make your work time Cool.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.