A woman walks past a painting by Jenny Saville entitled “Red Stare Head IV” on display in the Royal Academy of Arts' Summer Exhibition on June 2, 2011 in London, England. The Summer Exhibition is the world's largest open submission contemporary art show, now in its 243rd year, with over 12,000 entries received from 27 countries. The exhibition features over 1100 works of art including: painting, sculpture, photography, architecture and film, it officially opens to the public on June 7, 2011. (Photo by Oli Scarff/Getty Images)

Bex Hetherington exhibits a T-shirt at the Edinburgh College of Art degree show on June 8, 2011 in Edinburgh, Scotland. Students work will be exhibited across the campus buildings turning Edinburgh College of Art into the city's biggest gallery space. The work ranges from conceptual to commercial with inspirational influences as diverse and wide ranging as fashion photography, volcanoes, the crazy lady who put a cat in a bin, fairytales, the star system and serial killers. (Photo by Jeff J Mitchell/Getty Images)

“These incredible shots show the stunning formations of an iceberg beneath the surface of the ocean. Taken in Tasiilaq, Greenland, by Franco Banfi, the underwater photography captures the beauty of these ice mountains beneath the ocean’s surface. In some of the photos, divers are swimming around an iceberg under the frozen water, while other images show some of the weird and wonderful creatures you can encounter in that part of the ocean”. (Photo by Franco Banfi/Caters News Agency)

Inspired by traditional Indian travelling photography studios, Arthur Crestani photographed the inhabitants of Gurgaon, a city built almost entirely by private companies. Arthur Crestani’s “Bad City Dreams” contrasts the glossy ideal sold by developers with urban reality. Here: Luxury Living Bhiwadi: “Sky Club on 18th Floor”. (Photo by Arthur Crestani/The Guardian)

Kourtney Roy makes eerie self-portraits in desolate yet dramatic locations – with wigs and wardrobe straight out of 1950s melodrama. In these shots, from her “Enter as Fiction – California” series, she plays characters caught in desolate, often abandoned settings. (Photo by Kourtney Roy/Galerie Catherine et André Hug/The Guardian)

These are the stunning panoramic shots of some of the worlds most beautiful locations. Company AirPano travel the world photographing its wonders from above. Their shots include famous cities – such as New York, Paris and Barcelona – as well as natural marvels, like volcanoes and waterfalls. The team, which consists of 12 members – nine photographers and three tech specialists – began looking into this style of photography in 2006. Project coordinator Sergey Semenov revealed after initially working with spherical panoramas on land, the group decided to take to the skies. They made a list of the 100 Best Places on the Planet, which they hoped to photograph over the coming years. Here: Dubai. (Photo by Airpano/Caters News)

These are the amazing panoramic photographs that look like little planets. They were taken by photographer Dan Arkle, 34, from Sheffield, UK. He said: “On a sharp summit, you feel literally on top of the world, with dramatic views in all directions, including straight down. I tried using conventional photography to capture this feeling, but even with a wide angle lens I couldnt get all the view in the image”. Here: “Taken at the tiny summit of Cima Piccola in the the Tre Cima group in the Dolomites, Italy. The large peak is Cima Grande Some remote peaks have a summit register, and my climbing partner Steve can be seen signing this in the bottom of the picture”. (“Little Planets” Project. Photo and comment by Dan Arkle)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)