“Sangoma” initiate Dipuo Banda (C) is led out of her teachers shack while she remains in a trance like state prior to dancing during her 3 day initiation ceremony with her teacher, family, friends and students in the Alexandra Township in Johannesburg, South Africa, 14 May 2021. Sangomas, the Zulu term for Medicine Women or traditional healers, fulfill different social and political roles in the community, including divination, physical healing, emotional and spiritual illnesses, directing birth or death rituals and finding lost cattle. (Photo by Kim Ludbrook/EPA/EFE)

At the end of a six-year relationship, photographer Laura Stevens needed to find a creative, external outlet for all the complicated feelings she was processing internally. “Another November” is the end product, a photo series that aims to mirror those agonizing emotions that Stevens felt at the time of the breakup – and the subsequent healing process. Here: “Jessica” is photographed at her Paris home in this scene staged by photographer Laura Stevens. (Photo by Laura Stevens)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.

Luna Portnoi emerging Argentine Artist Luna Portnoi has been developing her practice in Buenos Aires for over five years. Her work is deeply connected to themes of color, nature, astronomy, childhood, magic, ancient civilizations, collaboration and the passions, openness and emotions we experience as children that are often left behind in adulthood. Already well known in Buenos Aires, the Artist has also received international press coverage.

With "Art Eggcident," Dutch artist Henk Hofstra demonstrates what it would look like if God threw giant eggs down at us. The eight large, sunny side up eggs measure almost 100 feet wide in diameter. The installation took place in Leeuwarden, a city in the north of the Netherlands.
"I hope it becomes a meeting place with room for art," says Henk. "Art that is different than a framed picture on the wall or a boring bronze sculpture. Art that shows us a different look, surprises us, or makes us angry or happy. Art that allows photographers to grab their cameras and arouses journalists. Art that evokes emotion, or provokes wild laughter."

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)