The 26th annual Visa Pour l’Image, the “Cannes Film Festival” of photojournalism kicks off, filling the French city of Perpignan with more than 3,000 of the world’s best photojournalists and photo editors, along with agencies from around the world. This year’s Visa Pour l’Image showcases 26 exhibitions around the city. Photo: Christians looting a Muslim shop in the “Combattants” district of Bangui. (Photo by Pierre Terdjman/Paris Match)

British singer Cheryl Fernandez-Versini aka Cheryl Cole arrives for the screening of “Ma Loute” (Slack Bay) during the 69th annual Cannes Film Festival, in Cannes, France, 13 May 2016. (Photo by Sebastien Nogier/EPA)

Model Karlie Kloss walks on the red carpet as she arrives for the opening ceremony and the screening of the film “La tete haute” out of competition during the 68th Cannes Film Festival in Cannes, southern France, May 13, 2015. (Photo by Benoit Tessier/Reuters)

The amazing art of dancing is captured by the lens of Bertil Nilsson, who draws inspiration from movement and human body, creating a final spectacular result. The London-based photographer and filmmaker has worked closely with dancers and circus artists for five years throughout Europe and North bringing out an inspiring project, all gathered in his book Undisclosed: Images of the Contemporary Circus Artist.

A retrospective of Garry Winogrand's photography is on display at the Metropolitan Museum of Art in New York. It is the first in 25 years of his work. The show was organized by the San Francisco Museum of Art, and the National Gallery in Washington, DC. Photo: New York, 1965. (Photo by Garry Winogrand/The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco)

“Tilt-shift photography” refers to the use of camera movements on small- and medium-format cameras, and sometimes specifically refers to the use of tilt for selective focus, often for simulating a miniature scene. Sometimes the term is used when the shallow depth of field is simulated with digital post processing; the name may derive from the tilt-shift lens normally required when the effect is produced optically.

Clark was the guy who was photographed dropping into stupidly heavy Waimea shorebreak a few years back. Always admired him for that. I've swum in that shoredump and it's fu*cking heavy!
I also contracted some crazy tropical disease digging out Waimea river, but that's another story altogether!