A tower belonging to the Abengoa solar plant at the Solucar solar park is seen in Sanlucar la Mayor, Spain on October 1, 2018. (Photo by Marcelo del Pozo/Reuters)

A flock of sheep huddles together while snow spindrift is whipped up by strong winds in Swaledale, North Yorkshire, UK on March 17, 2017. (Photo by Paul Kingston/NNP North News & Pictures Ltd)

From the “Paradise Revisited” story in the November 2013 issue of National Geographic magazine, this image is a beautiful vision of father and son fishermen as they move through the multicolored coral gardens of Kembe Bay, Papua New Guinea, in a traditional outrigger canoe. (Photo by David Doubilet/National Geographic Creative)

People visit the artwork titled Seven Magic Mountains by artist Ugo Rondinone, Wednesday, May 11, 2016, near Jean, Nev. The artwork was recently completed in the desert south of Las Vegas. (Photo by John Locher/AP Photo)

A boat sails behind a woman looking through binoculars as she sits on a cliff on a sunny day in Sydney, Australia, May 29, 2016. (Photo by David Gray/Reuters)

A woman crosses a road outside the EU Parliament ahead of the EU elections in Brussels, Belgium, May 22, 2019. (Photo by Yves Herman/Reuters)

At 10,582 square kilometres, the Bolivian salt flats – otherwise known as Salar de Uyuni – are the largest on the planet and contain between 50 and 70% of the world’s lithium reserves. After exploring Chile and Argentina, photographer Joel Santos decided to travel to Bolivia in January 2017 to check the salt flats off his bucket list. With an electrical storm rolling in, Joel and his two travelling companions were the only souls left on the vast flats and captured the eerie flats without a person in sight. (Photo by Joel Santos/Barcroft Images)

A bodypainter uses UV paint to create electrifying masterpieces of stunning landscapes on models. John Poppletons vibrant Bodyscapes feature bright savannahs, lightning storms and vivid galaxies leaping from the bodies of his subjects. The artist, who lives in Wellsville in Utah, USA, uses a black light on his paintings to make them look as close to real life as possible. He predominantly uses female models and often paints across their backs to give him the largest surface area to work with. Here: “Bamboo Mist”. (Photo by John Poppleton/Caters News)