People wear face masks while watching the marine life at Ripley's Aquarium of Canada during the COVID-19 pandemic in Toronto, on Wednesday, October 28, 2020. (Photo by Nathan Denette/The Canadian Press via AP Photo)

Jean-Pierre Giagnoli walks through a crowded area of vendors hawking cat related goods at CatCon LA in Los Angeles, on Sunday, June 26, 2016. (Photo by Richard Vogel/AP Photo)

A man strikes a pose in front of a giant torta, or sandwich, during a press conference to promote the 13th annual Torta Festival, in Mexico City, Wednesday, July 20, 2016. The five day festival presents a variety of the Mexican street food made from the most exotic ingredients that include ostrich or stingray, to the classic ham, grilled steak or slow cooked pork. The festival's purpose is to maintain the tradition of eating tortas, and promote the vendors of the Mexican sandwich. (Photo by Marco Ugarte/AP Photo)

A Bangladeshi girl plays on a swing, in Dhaka, Bangladesh, December 27, 2016. (Photo by Mohammad Ponir Hossain/Reuters)

A lone protester sings outside the offices of Republican president-elect Donald Trump at Trump Tower in New York, New York, U.S. November 14, 2016. (Photo by Carlo Allegri/Reuters)

Russian artist Maria Gasanova adjusts her make-up as she finishes “The Siberian Beauty” body art work from her “The Alive Painting” series before the opening ceremony of the Cultural Universiade as part of preparation for the 2019 Winter Universiade Krasnoyarsk, in the Siberian city of Krasnoyarsk, Russia, December 9, 2016. (Photo by Ilya Naymushin/Reuters)

In this February 19, 2017 photo, a statue of the Death Saint stands inside Mercy Church as Juan Carlos Avila Mercado gives a service, on the edge of Mexico City's Tepito neighborhood. “She chooses them and has always been with us”, said Avila, who says he is a Catholic priest, but who is not listed among the archdiocese's priests. “We are born and we die with death”. (Photo by Marco Ugarte/AP Photo)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)