Russian honour guards march during the military parade at Red Square in Moscow on November 7, 2018. Russia marks the 77th anniversary of the 1941 historical parade, when Red Army soldiers marched past the Kremlin walls towards the front line to fight Nazi Germany troops during World War Two. (Photo by Mladen Antonov/AFP Photo)

A woman walks past murals adorning the walls of Garibaldi subway station, in Milan, Friday, February 28, 2020. Due to the COVID-19 virus outbreak in northern Italy, the bustling metropolis of Milan has resembled more of a ghost town lately, as workers stayed home and tourism has dwindled there, and other parts of Italy. (Photo by Luca Bruno/AP Photo)

Jude Hajjaj, carries her cat near a picture of her cat painted on the wall by her father Osama Hajjaj, who teams up with his neighbours in creating works of art at their roof during the curfew imposed by the Jordanian government amid concerns over the spread of the coronavirus disease (COVID-19) in Amman, Jordan, May 10, 2020. (Photo by Muhammad Hamed/Reuters)

People experience INTO SIGHT, a large-scale installation by Sony Design, where audience behaviour influences the visuals and soundscape in London on 16 September 2022. It combines Sony's Crystal LED display systems, which recently replaced green screen technology in one of the biggest developments in film production, with generative sound, see-through glass walls and mirrors. (Photo by Stephen Chung/Alamy Live News)

Daring motorists entertain spectators by dangerously driving cars and motorcycles on a vertical “wall of death” in Manikgonj, Bangladesh on January 17, 2023. Performers travel without any protective gear at speeds of up to 80 km/h so that their vehicles can balance on the 25 feet high wooden plank. (Photo by Syed Mahabubul Kader/ZUMA Press Wire/Rex Features/Shutterstock)

Hawaiian surfer Sean Yoro aka Hula combines his love of surfing and his artistic talent, creating hyperrealistic portraits of bathing women at different seaside locations. His work is inspired by street art and abandoned spaces that he uses as his hard-to-reach canvases. Carefully carrying cans of colored paint on the edge of his board, the New York-based artist applies his half submerged female portraits onto the wall.

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.