An actor plays an injured passer-by during Exercise Strong Tower, the scene of a mock terror attack at a disused underground station in central London, Britain June 30, 2015. London police held their biggest-ever terrorism drill on Tuesday, pitting the emergency services against a group of marauding attackers, nearly 10 years since four young British Islamists killed 52 people in suicide bombings on London's transport network in July 2005. (Photo by Peter Nicholls/Reuters)

Photographer Brian Finke spent nearly two years traversing the friendly skies, following the life of flight attendants in the air and on the ground, from Delta and Hawaiian Air, to Hooters Air, Southwest, Air France, British Airways, Air Asia, and dozens more. His images of flight attendants waving, applying makeup and deboarding plans while smiling appear as if they were ripped from an advertisement in a glossy magazine. Here: Tiger Airways, Singapore, 2006. (Photo by Brian Finke/The Washington Post)

A local resident stumbles as he wades through flood water on a residential street in Carlisle, Britain December 6, 2015. British police have declared a major incident in northern England after prolonged heavy rain caused widespread flooding and forced emergency services to evacuate residents from their homes. (Photo by Phil Noble/Reuters)

There is something frightening and at the same time appealing in the living sculptures of 27-year-old British artist Emma Fay. Body art in conjunction with the flexibility of acrobats and fantasy of the artist using water-based paints, a brush and sponge, is transformed into a beautiful work of art. It is not immediately possible to make out the human body in the picture. First you look at the landscape and suddenly begin to distinguish someone’s arm, or neck. Or you look into the eyes of an amazing bull, and it turns out that it is perfectly folded back. Lovely people, temples are and wonderful people-insects are.

High-flying photographer Jeffrey Milstein, renowned for his aerial photos of US cities, snaps landmarks through the open door of a helicopter. This month he hired a chopper in London and amazingly he had just an hour to cover all the buildings he wanted to capture including Buckingham Palace, the London Eye, the glass roof of the British Museum and the Gherkin and Walkie Talkie towers in the City. Here: Jeffrey Milstein captured these stunning images through the door of a helicopter hovering over central London. (Photo by Jeffrey Milstein/Rex Features/Shutterstock)

Clowns sit in the pews and hold hands across the aisle of the All Saints Church during the Grimaldi clown service in Dalston, north London, February 7, 2016. The Clowns International 70th annual service brings together professional clowns from Britain and Europe in a service of remembrance to the famous British clown Joseph Grimaldi, who died in 1837. (Photo by Peter Nicholls/Reuters)

Figures from Antony Gormley's “Field For The British Isles” adorns an exhibition space in St Helen's College in the town of it's creation 15 years ago, June 23, 2008, St Helens, England. The installation of over 40,000 clay figures has returned to the place where it was made by local people from local clay. Artist Antony Gormley describes his creation as “25 tons of clay energised by fire, sensitised by touch and made conscious by being given eyes ... a field of gazes which looks at the observer making him or her its subject”. (Photo by Christopher Furlong/Getty Images)