A woman visits oil on canvas paintings by Ayesha Sultana of the Experimenter gallery in 14th edition of Art Dubai at Dubai International Financial Centre, DIFC, which features 50 galleries from 31 countries with a focus on modern and contemporary art, in Dubai, United Arab Emirates, Tuesday, March 30, 2021. (Photo by Kamran Jebreili/AP Photo)

A Black movement activist covered by red paint attends a protest against racism and police violence, and against a police operation that took place at Jacarezinho slum in Rio de Janeiro, on the day that marks 133 years since the abolition of Slavery in the country, in Sao Paulo, Brazil, on May 13, 2021. (Photo by Amanda Perobelli/Reuters)

Neon Naked Life Drawing in London, United Kingdom on August 23, 2022. Combining UV light and reactive body paints, Neon Naked brings an alternative, vibrant and psychedelic exploration to life drawing classes. (Photo by Guy Corbishley/Alamy Live News)

Muslim girls have their hands painted with traditional henna as they attend an Eid al-Fitr prayer, marking the end of the fasting month of Ramadan, at historical Badshahi mosque in Lahore, Pakistan, Wednesday, April, 10, 2024. (Photo by K.M. Chaudary/AP Photo)

A protester sprays paint on the window of a bank during a rally against Expo 2015 in Milan, Italy, April 30, 2015. The Milan Expo will open in the city on May 1. Officials are counting on some 20 million visitors to the six month-long exhibition of products and technologies from around the world. (Photo by Stefano Rellandini/Reuters)

A girl gets her arm sketched with a body paint tattoo depicting the traditional Dandiya dance, ahead of Navratri, a festival when devotees worship the Hindu goddess Durga, in Ahmedabad, India, September 25, 2016. (Photo by Amit Dave/Reuters)

Akram Abu al-Foz places a painted empty shell on top of a Christmas tree he decorated from empty shells he collected in the rebel held besieged city of Douma, in the eastern Damascus suburb of Ghouta, Syria December 23, 2016. (Photo by Bassam Khabieh/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)