Cars are parked near Place de la Concorde on March 12, 2014 in Paris, France. Inset: World War I, German airplanes at Place de la Concorde in Paris, wrecked by celebrating crowds on the day of the restoration of Alsace-Lorraine, November 18, 1918. (Photo by Peter Macdiarmid/Getty Images)

A model presents a creation by LARHHA during the Code'41 Andalusian Fashion Week at the Amphitheatre of Italica in Seville on March 21, 2021. (Photo by Cristina Quicler/AFP Photo)

A fashion lovers walks in the courtyard of the Louvre museum during Louis Vuitton ready-to-wear Spring/Summer 2023 fashion collection presented Tuesday, October 4, 2022 in Paris. (Photo by Christophe Ena/AP Photo)

TV host/blogger Louise Roe attends The Weinstein Company's Academy Awards viewing and after party in partnership with Grey Goose at TAO Los Angeles at TAO Hollywood on February 26, 2017 in Los Angeles, California. (Photo by Rachel Murray/Getty Images for The Weinstein Company)

Members of an American landing party assist troops whose landing craft was sunk by enemy fire off Omaha beach, near Colleville sur Mer, France, June 6, 1944. REUTERS/Weintraub/US National Archives

“Federico Bebber was born in 1974 in Udine, Italy. Since 1998 he deals with digital art. He uses digital tools based on photography. His creative process usually takes place slowly and at night”. Photo: “Remember”. (Photo by Federico Bebber)

The Perth-based photographer and journalist Frances Andrijich has travelled the Western Australian coast since the early 90s, capturing clotheslines in all their glory. In her images they take the roles of play equipment, Christmas trees and, in the summer, a homemaker’s dream. Andrijich admits she is hopelessly hung up on clotheslines; her latest book celebrates them under the spotlight of the Australian sun. Here: Vera Germanis hangs out underwear in Frances Andrijich’s grandparents’ backyard. This was the photographer’s first clothesline shot, taken in Midland Junction in 1991. (Photo by Frances Andrijich)

Vintage Newton, a pop-up exhibition of Helmut Newton prints from 1974-1984, opens in west London at the ONGallery. These prints, which feature Charlotte Rampling and Elsa Peretti, were produced from a series of transparencies that he considered his most provocative and important. Here: Saddle II. (Photo by Helmut Newton)