A Goodwood official prepares to brave the rain on the opening day of the Glourious Goodwood, racing festivall at Goodwood Racecourse, Chichester, England on July 30, 2019. (Photo by David Hartley/PA Wire Press Association)

South African model Candice Swanepoel walks the red carpet ahead of the “Marriage Story” screening during during the 76th Venice Film Festival at Sala Grande on August 29, 2019 in Venice, Italy. (Photo by Jacopo Raule/Getty Images)

A signing session during the International tattoo convention at Tobacco Dock in east London, England on September 27, 2019. (Photo by Steve Parkins/Rex Features/Shutterstock)

US actress Zendaya arrives for the 45th annual E! People's Choice Awards at Barker Hangar in Santa Monica, California, on November 10, 2019. (Photo by Jean-Baptiste Lacroix/AFP Photo)

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.

Lightning strikes the Willis Tower (formerly Sears Tower) in downtown on June 12, 2013 in Chicago, Illinois. (Photo by Scott Olson/Getty Images)

An Indian Air Force person walks carrying a Nepalese child, wounded in Saturday's earthquake, to a waiting ambulance as the mother rushes to join after they were evacuated from a remote area at the airport in Kathmandu, Nepal, Monday, April 27, 2015. The death toll from Nepal's earthquake is expected to rise depended largely on the condition of vulnerable mountain villages that rescue workers were still struggling to reach two days after the disaster. (Photo by Altaf Qadri/AP Photo)