A young vendor hawks food on a market in Kara in the state of Ogun, on September 23, 2015. Nigeria imposed tight movement restrictions in the restive northeast after Boko Haram bombings that killed more than 100 raised fears of fresh attacks over the Eid al-Adha festival. The military said the use of all vehicles would be banned throughout Borno state during the Muslim festival, which is known as Sallah in Nigeria and marked with two days' public holiday from Thursday. (Photo by Pius Utomi Ekpei/AFP Photo)

Deacons attend a praying session during the Meskel Festival to commemorate the discovery of the true cross on which Jesus Christ was crucified on, at the Meskel Square in Ethiopia's capital Addis Ababa, September 26, 2016. (Photo by Tiksa Negeri/Reuters)

Workers carry a metal sheet at a dockyard in Dhaka, Bangladesh, December 5, 2018. (Photo by Mohammad Ponir Hossain/Reuters)

Francisco Solano poses for a photo in his bird-feather suit after attending a Mass commemorating the feast day of St. Francis Solano, in Emboscada, Paraguay, Friday, July 24, 2015. Some 500 people attended the festivity – a mix of indigenous and Guarani Indian beliefs. The festival begins with a Mass, continues with a procession of the diminutive wooden statue of St. Francis, and ends with people dancing in suits made with black, white, brown and grey feathers. (Photo by Jorge Saenz/AP Photo)

This artist image released from Japan's airline All Nippon Airways (ANA) on April 17, 2015 shows ANA's Boeing 787-9 aircraft into the colors of R2-D2 robot of Star Wars. Japanese air carrier ANA will place the special colored jetliner in service in this autumn. (Photo by AFP Photo/All Nippon Airways)

A young boy lifts heavy bricks as he works at brick factory around Kathmandu valley. (Photo by Narendra Shrestha/EPA)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)