The Bajau people of Malaysia live their lives completely at sea, living in wooden huts and spending their days fishing. Sailing over crystal clear waters, the Bajau people of Malaysia live their lives almost entirely at sea. Photographer Ng Choo Kia joined the Bajau people on their pirogues, which are long narrow canoes made from single tree trunks, and documented their daily life in a series of pictures. (Photo by Ng Choo Kia/Hotspot Media/SIPA Press)

A woman poses next to two mailboxes along a street in Taipei on August 11, 2015 that were reportedly bent by strong winds brought by Typhoon Soudelor over the weekend. The two iron mailboxes have become an unlikely attraction, drawing thousands of snap-happy visitors and have even become a backdrop to a wedding photo shoot. The typhoon, which hit in the early hours of August 8 and was billed as the most powerful typhoon this year, uprooted trees, brought down electricity poles, knocking out power to a record 4.3 million households, while leaving eight dead and four missing. (Photo by Benjamin Yeh/AFP Photo)

Merit: A Night at Deadvlei. The night before returning to Windhoek, we spent several hours at Deadveli. The moon was bright enough to illuminate the sand dunes in the distance, but the skies were still dark enough to clearly see the milky way and magellanic clouds. Deadveli means “dead marsh. The camelthorn trees are believed to be about 900 years old, but have not decomposed because the environment is so dry. (Photo and caption by Beth McCarley/National Geographic Traveler Photo Contest)

Pictures from Tasmania’s central plateau, shot by wilderness photographer Dan Broun, show the extraordinary damage wrought by more than a week of bushfires following lightning strikes in Australia’s southernmost state on January 13. 2016. The world heritage area was home to a range of unique alpine flora including pencil pines, king billy pines and cushion plants, some more than 1,000 years old. Now more than 10,000ha of land has been incinerated, and ecologist say that, unlike eucalyptus trees, the ancient flora will not recover. (Photo by Dan Broun)

A Nepalese army solder stand next to a horse during the “Ghodejatra” Horse Race festival, which is organised by the Nepal Army, in Kathmandu, Nepal, April 7, 2016. Ghode Jatra, the horse racing festival of Nepal, celebrated on the New Moon day of mid March or early April is among the important celebrations of the Kathmandu Valley. Grand horse parade including various acrobatic style of shows are performed by Nepal military at Tundikhel-a fenced parade ground located in the heart of Kathmandu city. (Photo by Navesh Chitrakar/Reuters)

In this April 1, 2017 picture a man dressed as a “Harramacho” a traditional character from the Navalacruz carnival poses for a picture before a traditional Spanish mask gathering in the small village of Casavieja, Spain. Every spring they come from towns across central and northwestern Spain, clad in elaborate costumes – some as trees, others as bears, still others as monsters who could have emerged from some sort of fever dream. (Photo by Daniel Ochoa de Olza/AP Photo)

The National Geographic Photo Ark is a travelling exhibition of photographer Joel Sartore’s quest to create a photo archive of biodiversity around the world. So far, Sartore has captured studio portraits of more than 6,000 species – a number that he hopes to double. On 1 July, the ark will open at Melbourne zoo – the first time it has been exhibited in the southern hemisphere. More than 50 portraits will be on display, including many of Australian endangered animals being protected by programs at the zoo itself. These captions have been edited from text supplied by Melbourne zoo. Here: Barking owl. (Photo by Joel Sartore/National Geographic Photo Ark/The Guardian)

“Mr Big Dipper”, Nicholas Roemmelt (Denmark). A stargazer observes the constellation of the Big Dipper perfectly aligned with the window of the entrance to a large glacier cave in Engadin, Switzerland. This is a panorama of two pictures, and each is a stack of another two pictures: one for the stars and another one for the foreground, but with no composing or time blending. (Photo by Nicholas Roemmelt/National Maritime Museum/The Guardian)