“Japanese artist and designer Makoto Tojiki innovatively uses light as his primary medium of expression. In his latest exhibition, No Shadow, Tojiki manipulates thousands of small hanging lights to create 3D images of a man and animals. I’m pretty amazed by how the artist is able to “see” the image while meticulously placing the lights. Makoto’s creativity doesn’t stop at light production; he is also involved in jewelry making and furniture design”. (Photos by Ryo Ishihara/Josh Rothman)

Figures from Antony Gormley's “Field For The British Isles” adorns an exhibition space in St Helen's College in the town of it's creation 15 years ago, June 23, 2008, St Helens, England. The installation of over 40,000 clay figures has returned to the place where it was made by local people from local clay. Artist Antony Gormley describes his creation as “25 tons of clay energised by fire, sensitised by touch and made conscious by being given eyes ... a field of gazes which looks at the observer making him or her its subject”. (Photo by Christopher Furlong/Getty Images)

David Shrigley's new exhibition “Brain Activity” opens at the Hayward Gallery in London, England. Known for his crude and comedic observations Shrigley's “Brain Activity” is the first major survey of his work and will run from February 1 to May 13, 2012.

Photo: A taxidermied artwork of a Jack Russell dog entitled “I'm Dead”.

Guadalajara-based artist Gonzalo Lebrija created a public art installation in the parking lot (1430 Delgany Street, Denver, CO 80202) across from the Museum of Contemporary Art Denver (MCA Denver) in the summer of 2010. The installation, entitled History of Suspended Time: Monument for the Impossible, was developed as a dual collaboration with MCA Denver's museum-wide exhibition, Energy Effects: Art & Artifacts from the Landscape of Glorious Excess, as well as Denver's inaugural 2010 Biennial of the Americas, an international event that celebrated the culture, ideas and people of the Western Hemisphere.

In this Monday, March 10, 2014 photo, a 9,000 year-old mask is on display at the Israel Museum in Jerusalem. The exhibition called “Face To Face” shows eleven stone masks, said to have been discovered in the Judean desert and hills near Jerusalem, which date back 9,000 years and offer a rare glimpse at some of civilization's first communal rituals. (Photo by Tsafrir Abayov/AP Photo)

Chinese artist Song Dong stands in his installation entitled “Waste Not” in The Curve at the Barbican Art Gallery on February 14, 2012 in London, England. Waste Not comprises over 10,000 objects collected by Song Dong's mother over a period of 5 decades. The installation is Song Dong's first major solo exhibition in the UK and opens to the general public on February 15, 2012. (Photo by Oli Scarff/Getty Images)

Call Parade is an ongoing public art project in São Paulo sponsored by Brazilian telecommunications firm Vivo, that paired 100 artists with 100 street-side phone booths giving them free reign to transform the peculiar hooded fixtures into anything imaginable. The exhibition has proven to be extremely popular and Brazilian photographer Mariane Borgomani set out to capture a number of the phones, my favorite of which is the painted day/night treatment above by artist Maramgoní.

The 26th annual Visa Pour l’Image, the “Cannes Film Festival” of photojournalism kicks off, filling the French city of Perpignan with more than 3,000 of the world’s best photojournalists and photo editors, along with agencies from around the world. This year’s Visa Pour l’Image showcases 26 exhibitions around the city. Photo: Christians looting a Muslim shop in the “Combattants” district of Bangui. (Photo by Pierre Terdjman/Paris Match)