Border Security Force (BSF) personnel patrol along the border fence during a cold foggy morning near India-Pakistan Wagah border about 40km from Amritsar on December 21, 2022. (Photo by Narinder Nanu/AFP Photo)

An officer of the Afghan border police throws an assault rifle to a policeman participating in a military exercise on the outskirts of Herat, Afghanistan, Monday, September 7, 2015. Twelve female and seventy male border police personnel participated in the military exercise near the border with Iran in Herat province. (Photo by Hoshang Hashimi/AP Photo)

A Macedonian police officer hits a stranded migrant attempting to cross the Greek-Macedonian border, near Gevgelija, Macedonia December 2, 2015. Picture taken from the Greek side of the border. (Photo by Alexandros Avramidis/Reuters)

Fans dressed in Spider-Man outfits gather at a promotional event for the forthcoming “Spider-Man: Homecoming” movie at the Art Science Museum in Singapore on June 7, 2017. The movie will be shown in cinemas around the world from July 5 onwards. (Photo by Toh Ting Wei/AFP Photo)

Artist Jesús Prudencio loves cars and movies, if you couldn’t tell by his beautiful series of movie posters, titled Cars and Films, that focuses on an iconic automobile from each movie. From Back to the Future to Pulp Fiction, The Shining to The Italian Job, Prudencio’s colorfully minimal illustrations are a delight for any fan of cars and/or films.

Turkish Kurds watch the Syrian town of Kobani from near the Mursitpinar border crossing, on the Turkish-Syrian border in the southeastern town of Suruc, October 19, 2014. (Photo by Kai Pfaffenbach/Reuters)

The Mexico – United States barrier – also known in the United States as the border fence, rotted fence or border wall – is actually several separation barriers designed to prevent illegal movement across the Mexico – United States border.

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.