Miles Van Rensselaer using everything from glass and crystal to bronze and iron, from gold and silver to tooth and bone, from steel, copper and lead to wood, clay, feather and hair. He has been fortunate enough to work – and humbled by working – with and among talented artists from all over the world. His work is his homage to these people and their vanishing ways of life, his translation of their technique, imagery, idea of “primitive” art into modern Western materials.

Claire and Rupert Callender of the Green Funeral Company pose for a photograph with a environmentally friendly coffin in woodland close to their office at Dartington Hall Estate on February 4, 2011 near Torquay, England. The Devon-based company operates as funeral directors and undertakers throughout the South West, offers an ecological alternative to traditional funerals, with coffins made from ecologically friendly materials such as wicker and bamboo, and can arrange funerals that encompass diverse religious and spiritual beliefs everything from a Catholic Requiem Mass, to a Pagan ritual at a stone circle on Bodmin Moor. (Photo by Matt Cardy/Getty Images)

Chris Gilmour is one of those people that can turn unexpected things, which most of us would simply discard as trash, into astounding works of art. By taking simple cardboard packaging and other recycled items, he was able to create intricate replicates of various large items, paying close attention to even the smallest details. His cardboard sculptures include everything from vehicles (motorbikes, cars, bicycles) to religious symbols. Some people may find it sacrilege to create religious icons out of trash, which includes toothpaste, condoms, etc.; however, art should not be bound by prejudice and bigotry of close-minded individuals. (Photo by Chris Gilmour)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

These adorable pawtraits seem to show the personalities of a variety of canines, capturing their incredible diverseness in their expressions and fine details. Khokhlov and Ershova, who are from Moscow, have taken portraits of about 50 breeds of pooches – earning much critical acclaim. (Photo by Alexander Khokhlov/Veronica Ershova/Caters News Agency)

In this Wednesday, November 11, 2015 photo, one of the giant mechanical sharks that starred in the movie “Jaws” is seen at Aadlen Brothers Auto Wrecking, also known as U Pick Parts, in the Sun Valley section of Los Angeles. It's not just a junkyard or even a really big junkyard, but a living, breathing monument to Los Angeles pop culture. But the family business is closing on New Year's Eve, and everything must go by then, the cars, the shark, the arches, even the giant car-crushing machine. (Photo by Jae C. Hong/AP Photo)

Electric cars sit charging in a parking garage at the University of California, Irvine January 26, 2015. “The Irvine Smart Grid Demonstration”, a $79 million project funded half by federal stimulus money and half by Edison and partners like UC Irvine, was launched in 2010. The $12 billion utility's research team Southern California Edison is testing everything from charging electronic vehicles via cell phone to devices that smooth out the power created by rooftop solar panels. Those are some of the roughly 60 projects in the works at Edison's Advanced Technology division. It has a small $19 million annual budget, but its influence far exceeds that. (Photo by Lucy Nicholson/Reuters)