Anglers cast lines through holes into a frozen river during an ice fishing competition at the Hwacheon Sancheoneo Ice Festival on January 7, 2012 in Hwacheon-gun, South Korea. (Photo by Chung Sung-Jun/Getty Images)

Workers polish a snow sculpture ahead of the 16th Harbin Ice and Snow World in Harbin, Heilongjiang province, December 22, 2014. The 16th Harbin Ice and Snow World will be officially opened on January 5, 2015. (Photo by Reuters/Stringer)

Animals destined for the stage of Radio City Music Hall in New York on November 13, 1986 are led to the stage door by their co-stars, the Rockettes dancers. A variety of animals, including camels, sheep and donkeys, will star in an annual Christmas production. (Photo by G. Paul Burnett/AP Photo)

Baghdad-based artist Othman Toma uses multi-colored melting treats as a medium for his art, instead of normal paint. And it works incredibly well. In fact, to the untrained eye, his artworks seem painted with regular watercolors.

A sculptor walks past ice sculptures at the Snow and Ice Sculpture Festival “Eiswelt Mainz” in Mainz, Germany, November 22, 2016. (Photo by Ralph Orlowski/Reuters)

Ice swimmer Klaudia prepares to swim in a filled up water kettle in an ice cave inside the Nature Ice Palace, with a hight of 3,250 meters (10,663 feet) above sea level, at Hintertux Glacier near Hintertux, some 480 kilometers (298 miles) western of Vienna, Austria, 28 July 2018. (Photo by Christian Bruna/EPA/EFE)

Michael Massaia's photographs are as nostalgic as they are disturbing. His long-exposure images capture a subject matter familiar to most. From a SpongeBob SquarePants popsicle to a Neapolitan ice cream sandwich, he frames the frozen treats most people's summer memories are made of. Yet, Massaia doesn't just realistically render his ice cream. He distorts the childhood favorites by melting them before his lens, until the pops resemble ominous pools of paint or celestial snapshots.

A poster for the IMAX presentation of “The Hunger Games: Catching Fire” (left), and a teaser poster for “The Hunger Games: Mockingjay, Part I”, both created by the Los Angeles-based design firm IGNITION. Both are nominated for the 2014 Key Art Awards in the category of Theatrical Domestic One-Sheet. The Hollywood Reporter's annual competition for the best in film and TV advertising honors some of the most creative imagery used in movie posters. Here is a selection of some of this year's nominees. (Photo by Key Art Awards 2014)