A truck driver, butcher and firefighter are some of the subjects in the latest project by the photographer Chris Crisman. This series portrays women at work and focuses on occupations traditionally seen as male dominated. Here: Firefighter Mindy Gabriel, from Upper Arlington, Ohio. (Photo by Chris Crisman/The Guardian)

Joseph Szabo was a frustrated high-school teacher in need of inspiration – so he started photographing his students, and captured all the angst and excitement of being caught between childhood and adulthood. Here: “Priscilla”, 1969. (Photo by Joseph Szabo/Courtesy of Michael Hoppen Gallery/The Guardian)

“The National Portrait Gallery, London's annual photographic portrait prize was established in 2003 as the Schweppes Photographic Portrait Prize. In the years 2006 and 2007 it was referred to simply as the Photographic Portrait Prize, while from 2008 new sponsors have resulted in the name, Taylor Wessing Photographic Portait Prize”. – Wikipedia. Photo: “Tic Tac and Tootsie (twin sisters Carrol and Shelly McKean)”. Taylor Wessing photographic portrait prize 2010. (Photo by Jeffrey Stockbridge)

A retrospective of Garry Winogrand's photography is on display at the Metropolitan Museum of Art in New York. It is the first in 25 years of his work. The show was organized by the San Francisco Museum of Art, and the National Gallery in Washington, DC. Photo: New York, 1965. (Photo by Garry Winogrand/The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco)

The amazing art of dancing is captured by the lens of Bertil Nilsson, who draws inspiration from movement and human body, creating a final spectacular result. The London-based photographer and filmmaker has worked closely with dancers and circus artists for five years throughout Europe and North bringing out an inspiring project, all gathered in his book Undisclosed: Images of the Contemporary Circus Artist.

“Tilt-shift photography” refers to the use of camera movements on small- and medium-format cameras, and sometimes specifically refers to the use of tilt for selective focus, often for simulating a miniature scene. Sometimes the term is used when the shallow depth of field is simulated with digital post processing; the name may derive from the tilt-shift lens normally required when the effect is produced optically.