A man sits in the back of a taxi with a goat after purchasing it from a livestock market ahead of the Eid al-Adha festival in Kolkata, India, September 8, 2016. (Photo by Rupak De Chowdhuri/Reuters)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

Riders compete during a kok boru, also called ulak tartysh, a traditional game in which players on horseback manoeuvre with a goat's carcass and score by putting it into the opponents' goal outside Sokuluk village, 20 km (12,5 miles) west of Bishkek, Kyrgyzstan, Tuesday, March 30, 2021. (Photo by Vladimir Voronin/AP Photo)

A Nepalese man sits outside a Hindu temple as a goat rests on a parked scooter in Khokana, Lalitpur District, Nepal, Monday, September 26, 2016. Writing on the wall offers prayers to Hindu god Shiva. (Photo by Niranjan Shrestha/AP Photo)

Members of La Legion, an elite unit of the Spanish Army, including a goat they use as a pet wait for the start of a military parade as they celebrate a holiday known as “Dia de la Hispanidad” or Hispanic Day in Madrid, Wednesday, October 12, 2016. (Photo by Daniel Ochoa de Olza/AP Photo)

Mongolian herder, Khurelsukh, throws the carcass of a goat onto a heap as he struggles to deal with losing a quarter of his herd, on March 8, 2010 in Bayantsogt, Tuv province, Mongolia. (Photo by Paula Bronstein /Getty Images)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

Eleven-year-old Kelen loves to dance in the half-built rooms of the centre in Kabanga Refuge Centre, Tanzania, 2012. The rescue centres protect albino people from the vicious hunters who sell their body parts to witch doctors. Photojournalist Ana Palacios, 43, visited the centre in Tanzania three times between 2012 and 2016 to find out more about the plight of albino people. (Photo by Ana Palacios/Barcroft Images)